wrap up: March 2019

Happy birthday to me!  In honor of turning 27 today here is… a monthly wrap up!  Exciting!

  1. Daisy Jones & The Six by Taylor Jenkins Reid ★★★★☆ | review
  2. When All Is Said by Anne Griffin ★★☆☆☆ | review
  3. An American Marriage by Tayari Jones ★★★☆☆ | review
  4. If, Then by Kate Hope Day ★★★☆☆ | review
  5. The Club by Takis Würger ★☆☆☆☆ | review
  6. Color and Light by Sally Rooney ★★★★★ | review
  7. Mr Salary by Sally Rooney ★★★★★ | review
  8. Troubles by JG Farrell ★★★★☆ | review
  9. Young Skins by Colin Barrett ★★★★☆ | review
  10. The Killer In Me by Olivia Kiernan ★★★★☆ | review
  11. Faith Healer by Brian Friel ★★★★★ | review
  12. Ordinary People by Diana Evans | almost done, rtc

Favorite: Faith Healer by Brian Friel
Honorable mention: Sally Rooney!
Least favorite (possibly of my life): The Club by Takis Würger

MARCH TOTAL: 12
YEARLY TOTAL: 36

You’ll notice that everything I read in March fell into one of three categories: ARCs, Women’s Prize longlisted titles, and Irish lit.  Regarding that last one, I just want to give a quick shout-out to Cathy for doing a superb job hosting Reading Ireland Month along with her co-host Niall.  If you’re even slightly interested in Irish lit, there is a wealth of resources over on Cathy’s blog, so do go check out her posts if you haven’t already!

Some of my other posts from the month:

My March reading was… okay.  I feel like what’s been missing from my 2019 reading is a novel that I really adore.  All of my favorites so far have been nonfiction, plays, or short stories… which is ironic given that one of my reading goals of the year was to read fewer novels and read more of everything else!  But I’m finding that I’m really craving a novel that just pulls me in and doesn’t let me go, something I haven’t really found with anything I’ve read so far this year.  The Friend by Sigrid Nunez has come the closest, but I’m not sure that’s a new all-time favorite.  What’s the best novel you’ve read recently??

Currently reading: I may move Cleopatra: A Life over to my ‘on hold’ shelf on Goodreads as I don’t see myself picking this back up before May… but soon I will return to it!  Unfortunately, despite being a Lisa See superfan I’m finding The Island of Sea Women to be a bit of a slog – I’m only 20% in but I haven’t touched this in weeks.  I’m hoping to finish it by mid-April though.  And finally, I’m working through Swan Song as one of my Women’s Prize reads.

Finally, I’m having such fun reading through the Women’s Prize longlist with Hannah, Callum, Sarah, Steph, and Naty – if you want to be added to a group chat on Twitter where we discuss our progress on these 16 books, please let me know!  (You do not need to read the entire longlist to join in, this is a very unofficial chat.)

What was the best book you read in March?  Comment and let me know!

P.S. Follow me!  @ Twitter | Goodreads | Instagram | Letterboxd

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book (play script) review: Faith Healer by Brian Friel

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FAITH HEALER by Brian Friel
★★★★★
Faber & Faber, 2016
originally published in 1979

 

When I was reading Faith Healer, this script got two distinctions from me: (1) being one of the most depressing things I have ever read, and (2) probably being the first play I’ve encountered where I actually wondered whether or not it would work on stage as well as it does on the page. I mean, it must work, because it’s seen a number of illustrious and well-reviewed revivals over the years, but it reads comfortably like a novella, and if you are planning on seeing it on stage (in the upcoming Los Angeles production, for example) I would highly recommend familiarizing yourself with the script first, because I imagine a lot could be lost in translation to the unfamiliar viewer.

Written in four monologues, this play tells the story of faith healer Frank Hardy. Frank’s two monologues (each about ten pages long) open and close the play, and in between we also hear from Frank’s wife, or maybe his mistress, Grace, and his stage manager Teddy. Together they chronicle the downfall of Frank’s faith healing act, but less focus is given to the narrative itself than the relationship between these three characters and the way it has disintegrated over time.

This play’s magic is all in the details. If you’re reading or watching this just trying to glean the overall gist, so much is going to be lost. Friel expertly navigates three conflicting accounts of the same events; each character tells essentially the same stories, with at times heartbreaking variations. The biggest punch to the gut was after hearing Grace’s account of her newborn baby dying, and hearing how Frank fashioned a makeshift cross for the grave, we then get Teddy’s account that Frank was nowhere to be found when Grace went into labor, and how Teddy was the one to build the cross and say a prayer over the grave. The fallibility of memory is probably one of my favorite themes in literature and when it’s rendered with the same kind of subtlety as it is here, it’s hard not to be deeply affected and unsettled. The other salient theme running through this play is Frank’s unreliable gift for faith healing – with noticeable parallels to artists’ creativity, the whole play reads as an allegory. Can truth exist in a vacuum or is it always shaped by the stories we tell?

If you aren’t someone who ordinarily enjoys reading play scripts, I’d still recommend checking this out if it interests you, as again, it reads very much like a novella. Friel’s writing is sharp and lyrical and this leaves no question as to why he’s one of the most influential playwrights to come out of Northern Ireland.


You can pick up a copy of Faith Healer here on Book Depository.

book review: The Killer In Me by Olivia Kiernan

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THE KILLER IN ME by Olivia Kiernan
(Frankie Sheehan #2)
★★★★☆
Dutton, April 2, 2019
(Too Close To Breathe)

 

Every time I’ve read a thriller recently I’ve been left with the thought ‘do I actually like thrillers or am I just reading these out of habit.’ Well, it turns out I do still like them! I just wish they were all on Olivia Kiernan’s level – her Frankie Sheehan series is shaping up to be one of my favorites… which is odd as I really dislike police procedurals most of the time. So more power to Kiernan for being able to hook me on a formula that I’m not wild about.

And while I enjoyed Kiernan’s debut, Too Close to Breathe, I think its sequel The Killer in Me is superior in just about every way. More intricate plotting, more sophisticated writing, and more of that ‘can’t put it down’ factor. So while it’s always fun to go into a sequel being familiar with the characters, you could easily read The Killer in Me as a standalone. There are five murders at the heart of this novel, though two took place 17 years ago, as Seán Hennessey has just been released from prison where he served a sentence for murdering his parents, though he continues to profess his innocence. But when a series of eerily similar murders begins to occur, naturally Seán is the number one suspect. It’s a great premise, and Kiernan manages to expertly balance her various subplots so that it’s difficult to predict exactly what it’s all building up to.

Incidentally, I did have the exact same complaint about The Killer in Me as I did about Too Close to Breathe, which is that Frankie tends to make leaps the size of the Grand Canyon while doing a psychological profile on the killer(s), which invariably turn out to be accurate. So that’s a bit annoying, but you can’t have everything. All things considered, I think Olivia Kiernan is a brilliant new voice in the Irish crime genre, and if you like your thrillers on the dark and psychologically distressing side, you won’t want to miss this series.

Thanks so much to Dutton for the advanced copy provided in exchange for an honest review.

You can pick up copies of Too Close to Breathe and The Killer In Me over on Book Depository.

book review: Young Skins by Colin Barrett

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YOUNG SKINS by Colin Barrett
★★★★☆
Grove, 2015

 

In the vein of authors like Donal Ryan and Lisa McInerney, Colin Barrett has a gift for conjuring quiet scenes from small-town Irish life that bristle with a kind of dormant tension. Young Skins is a collection of seven short stories that all take place in the same town, and often the same pub, with a few overlapping characters, but which mostly stand on their own. Each story focuses on a male protagonist, usually young, all in some way navigating working class life, post-Ireland’s financial collapse.

It’s very rare that I give a short story collection 5 stars; it’s to be expected that in a collection like this, certain stories are going to shine and certain others are going to fade into the background. Though I loved Barrett’s prose throughout, this collection really wasn’t an exception to the rule – there are stories I loved and stories I found to be rather forgettable (though thankfully none I outright disliked).

The Clancy Kid was a strong opening, introducing us to the gritty, bleak backdrop of young love turned to heartbreak that characterizes so many of these stories, as well as the kind of violence that permeates male youth culture. Bait is a tricky one; I’d been loving it, up until the very end where it takes an… incongruously supernatural(?) turn that I still haven’t fully made sense of. (If you’ve read this story, please tell me your thoughts on the ending.)

The Moon didn’t leave much of an impression on me, though this is where Barrett states a lot of the collection’s thematic conceits rather plainly, which makes it a solid addition (a young, flighty woman says to our protagonist at one point “Galway’s not that far[,] but it might as well be the moon for people like you.”) And I thought Stand Your Skin was maybe too thematically similar to The Moon, though Stand Your Skin is the one I preferred.

Calm With Horses, the collection’s magnum opus, is more of a novella than a short story, nearing 100 pages. In my opinion this story stands head and shoulders above the rest, and it’s not just because of its length. I think this is where Barrett is able to really stretch his legs and show us what he’s capable of. Various characters and subplots weave in an out of this one and all dovetail in a satisfying, heart-rending conclusion. I really hope Barrett has a novel in the works.

Diamonds I think is solidly the weakest story that doesn’t offer much that we can’t already find elsewhere. And Kindly Forget My Existence is a fitting ending, where Barrett eschews his young protagonists in favor of two middle aged men who sit down at a pub and discuss their own youth.

So, as with most short story collections, a mixed bag, but it’s worth the price of admission for the stunningly tragic Calm With Horses alone, and the rest of the stories mostly hold their own as well. Dismal and hopeless as this collection is on the whole, there’s an assured beauty to Barrett’s prose that I found very striking, especially for a debut, and I can’t wait to see what he does next.

You can pick up a copy of Young Skins here on Book Depository.

book review: Troubles by JG Farrell

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TROUBLES by JG Farrell

NYRB Classics, 2002
originally published in 1970

Troubles is the first novel in the Anglo-Irish writer JG Farrell’s Empire Trilogy: three tangentially connected works that highlight different facets of British colonialism. Farrell died young, as he drowned at the age of 44, but this 1970 book got some semi-recent attention when it won the Lost Man Booker Prize in 2010, which was established to retroactively honor a book that missed out on being eligible for the Booker due to a rule change that year. So when you pick up Troubles with all that in mind, as I did, it certainly has a big legacy to live up to, especially when you don’t even know what the book itself is about.

It turns out that it’s about an English man called Brendan, who’s referred to in the third person narration as ‘the Major,’ who, after the end of the war in 1919, journeys to Ireland to figure out whether or not he’s actually engaged to a woman who he’s been exchanging romantic letters with, Angela Spencer. Her home is a crumbling mansion of a hotel called the Majestic, where she lives with her Protestant family as well as several eccentric guests. Upon arrival the Major expects to be greeted by Angela herself, but instead he finds himself swept up instantly into her strange family dynamic, with her aggressively Unionist father’s pervasive fear of Sinn Féin (the political party advocating for an Irish republic) hovering in the background throughout the novel.

Troubles is essentially a sardonic odyssey of the mundane – a reverse Nostos of sorts in which our protagonist journeys away from home and navigates a culture that’s plagued with a completely different social climate than his own. It’s also a kind of Gothic subversion, Farrell giving us a Manderley-like setting that’s meant to symbolize the British Empire, the characters willfully in denial about its crumbling roof as well as the rising insurgency that’s taking place in their country.

It drags and overstays its welcome at times (much like the guests in the hotel), but for the most part Troubles is a riotously funny (and occasionally tragic) satire. While there isn’t much of a plot, Farrell leads the reader with measured prose through a dizzyingly bizarre series of encounters that highlight the absurdity of the Spencers’ myopic view of Irish society. It’s a bit of a project to get through, but it’s worth it for the sharp, incisive writing and commentary on colonialism that still feels relevant half a century later.

You can pick up a copy of Troubles here on Book Depository.

 

The Highest and Lowest Rated Books on my TBR

This is a premise that’s inspired many a booktube video over the years, but I got the idea to do this post in particular when I was watching Lala’s recent video about reading the highest rated books on her TBR.  After I watched that I decided to go through my own Goodreads TBR and sort it by average ratings, and then I thought it would be fun to make a post to show you guys the results of that search.

Note that I’m only going to include books that were published prior to 2019.  Summaries are from Goodreads.

The 5 Highest

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Becoming by Michelle Obama – 4.67

In a life filled with meaning and accomplishment, Michelle Obama has emerged as one of the most iconic and compelling women of our era. As First Lady of the United States of America—the first African-American to serve in that role—she helped create the most welcoming and inclusive White House in history, while also establishing herself as a powerful advocate for women and girls in the U.S. and around the world, dramatically changing the ways that families pursue healthier and more active lives, and standing with her husband as he led America through some of its most harrowing moments.

This one isn’t a huge surprise; I’ve heard that if you love Michelle Obama you’re going to love this book, and if you don’t love Michelle Obama you probably aren’t going to pick it up in the first place.  I was planning on listening to this on audio before realizing the audiobook is 18 hours long (I have audiobook commitment issues), but I do have the hardcover and should probably pick this up at some point.  I will say, I’m not terribly enthusiastic about it for some reason?  I mean, I don’t love political memoirs, so that is probably the reason.  But I do love Michelle Obama, so I do want to read this.  At some point.

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War Music: An Account of Homer’s Iliad by Christopher Logue – 4.61

Logue’s account of Homer’s Iliad is a radical reimagining and reconfiguration of Homer’s tale of warfare, human folly, and the power of the gods in language and verse that is emphatically modern and “possessed of a very terrible beauty” (Slate). Illness prevented him from bringing his version of the Iliad to completion, but enough survives in notebooks and letters to assemble a compilation that includes the previously published volumes War Music, Kings, The Husbands, All Day Permanent Red, and Cold Calls, along with previously unpublished material, in one final illuminating volume arranged by his friend and fellow poet Christopher Reid. The result, War Music, comes as near as possible to representing the poet’s complete vision and confirms what his admirers have long known: that “Logue’s Homer is likely to endure as one of the great long poems of the twentieth century” (The Times Literary Supplement)

Now this is what we’re talking about: I think this is part translation, part adaptation of Homer’s Iliad, and it sounds very experimental.  This kind of thing is very, very much up my alley.  I also have a copy of this and I really need to make time to read it.

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The World Only Spins Forward: The Ascent of Angels in America by Isaac Butler – 4.58

Now, on the 25th anniversary of that Broadway premiere, Isaac Butler and Dan Kois offer the definitive account of Angels in America in the most fitting way possible: through oral history, nearly 200 voices in vibrant conversation and debate. The intimate storytelling of actors (including Streep, Parker, Jeffrey Wright, and Nathan Lane), directors, producers, and Kushner himself reveals the turmoil of the play’s birth-a hard-won miracle in the face of artistic roadblocks, technical disasters, and disputes both legal and creative. And historians and critics help to situate the play in the arc of American culture, from the staunch activism of the AIDS crisis through civil-rights triumphs to our current era, whose politics are a dark echo of the Reagan ’80s. The World Only Spins Forward is both a rollicking theater saga and an uplifting testament to one of the great works of American art of the past century, from its gritty San Francisco premiere to the starry revival that electrified London in 2017.

I am a massive fan of Tony Kushner’s play Angels in America, which I think is one of the best pieces of theatre from the 20th century, so reading about its behind the scenes history sounds like a fun time to me.

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Sons of Achilles by Nabila Lovelace – 4.56

Sons of Achilles questions what it means to be in and of a linage of violence. In this collection, Nabila Lovelace attempts to examine the liminal space between violence and intimacy. From the mythical characters that depict and pass down a progeny of violence through their canonization, to the witnessing of violence, Lovelace interrogates the ways violence enters and inhabits a life.

I don’t remember where I first heard about this poetry collection but I was undoubtedly drawn to it because of the title.  It sounds absolutely brilliant, and I’d like to get my hands on a copy at some point.

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Indecent by Paula Vogel – 4.55

When Sholem Asch wrote God of Vengeance in 1907, he didn’t imagine the height of controversy the play would eventually reach. Performing at first in Yiddish and German, the play’s subject matter wasn’t deemed contentious until it was produced in English, when the American audiences were scandalized by the onstage depiction of an amorous affair between two women. Paula Vogel’s newest work traces the trajectory of the show’s success through its tour in Europe to its abrupt and explosive demise on Broadway in 1923—including the arrest of the entire production’s cast and crew.

I missed the recent Broadway production of this play, sadly, but hopefully I’ll catch it in Boston this April.  I’ve heard that this is absolutely gut-wrenching and I have no doubt that I will love it.

The 5 Lowest

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Number One Chinese Restaurant by Lillian Li – 3.10

The Beijing Duck House in Rockville, Maryland, is not only a beloved go-to setting for hunger pangs and celebrations; it is its own world, inhabited by waiters and kitchen staff who have been fighting, loving, and aging within its walls for decades. When disaster strikes, this working family’s controlled chaos is set loose, forcing each character to confront the conflicts that fast-paced restaurant life has kept at bay. Owner Jimmy Han hopes to leave his late father’s homespun establishment for a fancier one. Jimmy’s older brother, Johnny, and Johnny’s daughter, Annie, ache to return to a time before a father’s absence and a teenager’s silence pushed them apart. Nan and Ah-Jack, longtime Duck House employees, are tempted to turn their thirty-year friendship into something else, even as Nan’s son, Pat, struggles to stay out of trouble. And when Pat and Annie, caught in a mix of youthful lust and boredom, find themselves in a dangerous game that implicates them in the Duck House tragedy, their families must decide how much they are willing to sacrifice to help their children.

Haaa, we meet again.  I already know that I’m going to be reading this in the next couple of months because I’m reading the entire Women’s Prize longlist, and I knew that it had a low average rating, but I don’t think I expected to see it on this list.  But here we are.  I don’t know, you guys, I’ve heard a couple of positive things but the vast majority of reviews that I’ve seen for this book have been lukewarm at best… so we’ll see!

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Come With Me by Helen Schulman – 3.08

Amy Reed works part-time as a PR person for a tech start-up, run by her college roommate’s nineteen-year-old son, in Palo Alto, California. Donny is a baby genius, a junior at Stanford in his spare time. His play for fortune is an algorithm that may allow people access to their “multiverses”—all the planes on which their alternative life choices can be played out simultaneously—to see how the decisions they’ve made have shaped their lives. Donny wants Amy to be his guinea pig. And even as she questions Donny’s theories and motives, Amy finds herself unable to resist the lure of the road(s) not taken. Who would she be if she had made different choices, loved different people? Where would she be now? Amy’s husband, Dan—an unemployed, perhaps unemployable, print journalist—accepts a dare of his own, accompanying a seductive, award-winning photographer named Maryam on a trip to Fukushima, the Japanese city devastated by tsunami and meltdown. Collaborating with Maryam, Dan feels a renewed sense of excitement and possibility he hasn’t felt with his wife in a long time. But when crisis hits at home, the extent of Dan’s betrayal is exposed and, as Amy contemplates alternative lives, the couple must confront whether the distances between them in the here and now are irreconcilable.

I received a finished copy of this book from the publisher, and when I first received it the book had something like a 2.0 rating on Goodreads, which I assumed was down to a couple of negative ARC reviews, but half a year later the rating doesn’t seem to have improved that much.  I may just pass on my copy to someone else.  I honestly can’t even follow what’s going on in this summary, it sounds like there may be too much happening and none of it is sufficiently developed, I’m not sure.

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The Gathering by Anne Enright – 3.06

Anne Enright is a dazzling writer of international stature and one of Ireland’s most singular voices. Now she delivers The Gathering, a moving, evocative portrait of a large Irish family and a shot of fresh blood into the Irish literary tradition, combining the lyricism of the old with the shock of the new. The nine surviving children of the Hegarty clan are gathering in Dublin for the wake of their wayward brother, Liam, drowned in the sea. His sister, Veronica, collects the body and keeps the dead man company, guarding the secret she shares with him—something that happened in their grandmother’s house in the winter of 1968. As Enright traces the line of betrayal and redemption through three generations her distinctive intelligence twists the world a fraction and gives it back to us in a new and unforgettable light. The Gathering is a daring, witty, and insightful family epic, clarified through Anne Enright’s unblinking eye. It is a novel about love and disappointment, about how memories warp and secrets fester, and how fate is written in the body, not in the stars.

I get the impression that this might be one of those books that people dislike because they go into it expecting a thriller and then it isn’t really a thriller…?  At any rate, it’s Irish, it won the Booker, and I own a copy, so I will definitely be giving this one a try.

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The Shades by Evgenia Citkowitz – 2.98

A year has passed since Catherine and Michael Hall lost their teenage daughter in a car accident, leaving them and their sixteen-year-old son, Rowan, reeling in the aftermath of the tragedy. After Rowan escapes to boarding school, Catherine withdraws from her life as a successful London gallerist to Hamdean, an apartment in a Georgian country manor, where she and Michael had hoped to spend their retirement. When a beguiling young woman, Keira, appears at the house claiming to have once lived there, Catherine is reanimated by the promise of a meaningful connection. However, their relationship soon shifts to one of forbidding uncertainty as the mysteries of the past collide with the truth of the present.

This is partially on my TBR because the cover is a stunner, and partially because I think that summary sounds genius.  The average rating does concern me a little, but I think my curiosity is going to win out with this one.

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Little Constructions by Anna Burns – 2.66

At the centre of Anna Burns’s startling new novel lies the Doe clan, a closely knit family of criminals and victims whose internal conflicts and convoluted relationships propel this simultaneously funny and terrifying story. Bound together by love and loyalty, fear and secrets, the Does and other inhabitants of Tiptoe Floorboard make up an unforgettable cast of characters. In a voice that is by turns chilling and wickedly funny, the narrator documents their struggle to make and maintain connections with each other, and – weaving back and forth in time – examines what transpires when unspeakable realities, long pushed from consciousness, begin to break through.

And, ironically, the book in this entire post that I’m probably the most excited for is the one with the lowest rating.  However, in this case the average rating does not scare me, because I know Anna Burns’ work is not for everyone.  From those who adored Milkman and went back to read her backlist I get the impression that Milkman is probably her most accomplished novel, though No Bones and Little Constructions are still good.  So, I’ll definitely be giving them both a try, and hopefully will be able to contribute to this book’s rating getting a tiny bit higher.


So, that’s that!  Have you guys read any of these books, and if so does your rating fall above or below the average?  Let me know which books I should prioritize off this list!

(NB I’ve scheduled this post and am in New York for another couple of days, so I’ll probably be late in replying to comments.)

short story reviews: Mr Salary & Color and Light by Sally Rooney

MR SALARY by Sally Rooney              |    COLOR AND LIGHT by Sally Rooney
★★★★★ |    ★★★★★
Faber & Faber, 2019    |    The New Yorker, 2019

I want to first say that if you don’t quite ‘get’ the Sally Rooney craze, I don’t blame you – is she really achieving something that other authors are failing to do, or does her writing offer a comfortable familiarity; does her work hold universal appeal or is it uniquely resonant with young people; no one seems to have a very clear answer on any of this – but that said, I think her writing is magic. Normal People took me entirely by surprise, Conversations With Friends is one of the best contemporary novels I’ve read in years, and now these two short stories have solidified her place as one of my absolute favorite authors.

The thing about Sally Rooney is that while her storytelling is incisive and forthright, she always leaves me wanting more – not in the sense that what she offers is lacking, but in the sense that you can instinctively discern that Rooney understands her characters inside and out, backwards and forwards; they feel like living, breathing entities who continue to exist once you’ve ceased reading.  Rooney writes about people I want to know – not in real life, necessarily, although realism is arguably the great strength of her character work – but all of her characters come to life under her perceptive gaze and she excels both at chronicling the internal and the interpersonal.

While both of her novels beautifully showcase her prowess at character development, these two short stories prove that she still has a lot to offer in just a few short pages.   Color and Light follows a young hotel receptionist Aidan who meets an enigmatic screenwriter named Pauline that he becomes drawn to.  Mr Salary is told from the perspective of a 24-year-old woman named Sukie, who’s in love with a 30-something man named Nathan, a family friend that she’s lived with for years.  Both stories are brief snapshot pieces – we get a bit of background, but we don’t learn these characters’ life stories, nor do we need to.  Each story crackles with sexual tension, although it would be dismissive to reduce them to this one element – Mr Salary is noteworthy for its macabre undertones, as Sukie’s obsession with death mirrors her sexual obsession with Nathan, and Color and Light probably has less of a straightforward romantic trajectory than anything else Rooney has written.  The inevitable romance between Aidan and Pauline isn’t really inevitable at all, as it develops – Aidan’s interest in Pauline isn’t sexual as much as driven by a desire to understand and be understood, a theme that underpins all of Rooney’s work.

If you like stories about flawed, lonely, emotionally distant people, told with honesty and lively, absorbing prose, I’d implore you to give into the Rooney hype.  Everything she writes somehow moves me, saddens me, and delights me all at once.  I will say, I’ve noticed a sort of divide between people who loved Conversations With Friends and found Normal People underwhelming and vice versa (personally, I just love it all), but if you do fall into this dichotomy, I’d recommend Mr Salary to those who preferred Conversations With Friends and Color and Light to those who preferred Normal People.

Read Color and Light on the New Yorker website here, and pick up a copy of Mr Salary from Book Depository here.