THE MISSING YEARS by Lexie Elliott
★★★☆☆
Berkley, April 23, 2019
Beginning with the terrifically gothic premise, The Missing Years is an easy book to like. Ailsa Calder, a young woman living in London, finds herself inheriting half of an old Scottish manor when her mother dies. Though she initially wants nothing to do with it, she’s unable to sell it unless the joint owner agrees; the problem being that the other half belongs to her father, who disappeared without a trace twenty-seven years ago. So Ailsa moves into the manor with her half-sister, and from the very first night, she can’t shake the suspicion that something is deeply wrong with the house.
The atmosphere in this book, as I’m sure you can imagine, was pitch-perfect, and that’s really the main reason I’d recommend it. The setting of a creepy old house in the Scottish Highlands is hard to mess up, and Lexie Elliott mercifully uses it to its potential. The potentially supernatural element (is the house actually haunted?) is mostly kept ambiguous until the conclusion, which is how I prefer it when a supernatural element encroaches on a thriller; it’s always interesting to me when characters feel like they’re losing their grip on reality.
The problem with this book for me was that it was severely under-edited. This is a very slow-building mystery, which is fine, but when your book is a slow burn, you still need something to propel it forward; instead I felt like The Missing Years was just spinning its wheels for about two-hundred pages. I felt like I was slowly being driven mad by the sheer amount of repetition here – I wasn’t sure I could take another instance of Aisla anthropomorphizing the house without losing the last shred of my own sanity. I’m not kidding, there is barely a page where Aisla doesn’t reflect on the feeling that the house is watching her, which I thought was a rather ham-fisted addition to what was otherwise a fantastically rendered setting.
I still mostly enjoyed reading this, and I’d suggest picking it up if the setting appeals to you, but if you prefer your thrillers on the fast paced side, it’s probably best to skip this one.
Thank you to Berkley for the advanced copy provided in exchange for an honest review.
You can pick up a copy of The Missing Years here on Book Depository.
A shame about the repetition, but I’m glad to hear the atmosphere shines through regardless! Great review.
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Thank you! I’ll be very interested to hear your thoughts on this, should you pick it up, given how much the premise sounds exactly like your kind of book!
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I know, it really does sound like it was written for me! 😂 All the more reason to keep my expectations in check though, I’d imagine.
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VERY true. It’s also like… the writing wasn’t bad but it was thriller prose, not literary prose, if you know what I mean.
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Oh, I know exactly what you mean!
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One thing that I love about Shirley Jackson’s novels is that she doesn’t ever reveal to you if the house is haunted or not! That’s much of the fun! The downer is when her novels are made into movies and the script writer tries to be decisive — yes the house is haunted, and now we’re giving you a reason. Ew.
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I’ve only read one Shirley Jackson (Hill House) and I know exactly what you mean! That ambiguity was delightful and just so well done. I haven’t watched the Netflix adaptation, but I’ve heard it’s very very different and not half as good.
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It is different and fun to watch if you don’t think of it as a Shirley Jackson movie. The best one is quite old, a black-and-white film called The Haunting. That one’s close to the novel. There was one in the 90s with Katherine Zeta Jones. Verdict? AVOID.
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Good to know!! And I definitely have no problem distancing an adaptation from its source material, especially if I have low expectations going in.
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