WALK THROUGH WALLS by Marina Abramović
I don’t even have words for how much I adored this book. (My one-word Goodreads review before I finishing gathering my thoughts was just ‘Perfection’.) Let’s get this out of the way: Serbian performance artist Marina Abramović is a controversial figure, and much as I’d love to shove her ghostwritten memoir into everyone’s hands, I must admit that there are plenty of people who will remain thoroughly unmoved by it, and that’s completely fine. But I also want to clarify that I don’t think it’s essential for a reader to love or understand or even be familiar with her art in order to appreciate this. The best thing to be while picking up this book is open-minded.
Personally I love contemporary art, I love performance art, and I love Marina Abramović, so this was always going to work for me. But it still managed to exceed my expectations; I think I was anticipating entertaining and instead I got revelatory. I did study Art History in college and am hardly a stranger to thinking critically about what art is, so I wasn’t expecting my perception of that question to be so shaken by Abramović’s perspective. Art and life are fundamentally inextricable concepts to her, which she explores throughout her career in a series of daring, unconventional performance pieces, which are chronicled in this book with vividly descriptive imagery. This book, as well as Marina’s career, is a testament to her unbelievable ability to push her body to its limits, and using her own physicality to connect with her audience. The way her performances build upon and interact with one another is delineated here with clarity: I genuinely feel enriched from this new understanding I have of her work and what she has tried, and has succeeded, to achieve.
Even outside of her art (though she would probably frown upon making this distinction), Marina’s life is a constant source of fascination. This reads more like autobiography than memoir, as it’s heavy on fact and chronology and light on emotional analysis, but this isn’t a criticism. Marina is presented in this book as an open, vulnerable figure, her methods and ideology made accessible through a thorough excavation of her life, from childhood to present day.
If you’re interested in Marina Abramović but aren’t a big nonfiction reader, the novel The Museum of Modern Love by Heather Rose is a brilliant depiction of her 2010 show The Artist is Present. Otherwise, I really couldn’t recommend Walk Through Walls highly enough.