UNDERGROUND, MONROE, & THE MAMALOGUES: THREE PLAYS by Lisa B. Thompson
Northwestern University Press, August 15, 2020
This is a brilliant collection of three plays from scholar and playwright Lisa B. Thompson, each of which navigates issues of racism and trauma as they particularly pertain to the Black middle class. Each play is distinct both in style and subject, but all thematically cohere into a sharp, savvy collection that makes for fantastic reading, though I imagine seeing any of these come to life on the stage with the right actors would be an even more entrancing experience.
Underground – 5 stars
Originally performed in 2017, Underground is the standout play from this collection, which focuses on the tension between two friends, two middle-aged, middle class Black men who had both been activists for the Black Panther movement, but who have drifted apart in life and in ideologies. This play is razor-sharp and startlingly prescient; reading it amid the resurgence of the Black Lives Matter movement was a rather humbling experience, to be reminded so starkly that the movement’s catalysts have been decades, centuries in the making. This exchange in particular drove home a relevant piece of discourse that’s been in the news a lot lately:
MASON: Wait. This is not just sensational journalism. They are out here bombing shit, man.
KYLE: Things. Not people. Statues of long dead white men can’t die again.
Monroe – 5 stars
Set in 1940s Lousiana, Monroe follows the impact of a lynching on a small-town community, including one young woman, the victim’s sister, who believes herself to be pregnant like the Virgin Mary. Monroe has a sort of mystical, fable-like quality to it which makes it stand apart from the other two plays in this collection, but it’s all the more resonant for its examination of the timelessness of anti-Black violence in America.
The Mamalogues – 2 stars
This one’s tricky, because here’s the thing; I was never going to like this play. I don’t like books (and films, and plays, and stories, more broadly) about motherhood and that’s what this is. Three Black middle class single mothers compare their lived experiences in this sort of vignette-style play. When you’re already disinterested in motherhood as a theme and there’s no actual narrative to sustain the play, it’s not fun reading. But that criticism is very much on me so I won’t hold it against this collection too much. Lisa B. Thompson is a brilliant writer and this is worth the price of admission for the first two plays alone.
Thank you to Netgalley and Northwestern University Press for the advanced copy provided in exchange for an honest review.