SLEEPWALKING by Meg Wolitzer ★★★★☆ Riverhead, 2014; originally published in 1982
It feels a bit silly and pointless to critique the 1982 debut of a prolific and well-established author on the grounds that it reads like a debut, but I have to get my criticisms out of the way: this book was remarkably clumsy—it reads like two concepts for two different novels stapled rather than sewn together.
The first of the two concepts is the story of ‘the death girls,’ three Swarthmore freshman who are each obsessed with a different female poet who died by suicide (Sylvia Plath, Anne Sexton, and an invented poet, Lucy Ascher). The novel introduces the three girls with the striking opening sentence ‘They talked about death as if it were a country in Europe’ and the prologue continues on to explain their strange friendship, predicated on a similar reverence for death—but then this conceit falls away completely. Naomi and Laura, two of the death girls, barely factor into this novel at all—this is the story of Claire, coming to terms with the death of her brother as well as the death of her favorite poet; her story is shared only by the parents of Lucy Ascher, who have fallen apart in the years since their daughter died.
Enter the second concept: an unsentimental excavation of the many faces of grief. In spite of the obvious thematic parallels between these two narratives that Wolitzer thought up, she is unable to integrate them into one another in a way that doesn’t feel forced and unnatural. The ‘death girl’ setup (as well as the introduction to Claire’s narratively pointless boyfriend, Julian) is ultimately the framework for the novel’s real aims, but it’s flimsy and unconvincing and honestly a bit of a letdown to anyone who approaches this looking for a Secret History-esque campus novel about close-knit friendships. (The bulk of the novel takes place off campus, to add insult to injury.)
But that’s all okay—again, it’s a debut by an author who’s been working for 40 years, so it’s hard not to give Wolitzer the benefit of the doubt. And in spite of all the aforementioned clumsiness, I really enjoyed reading this book. Wolitzer’s meditations on death and grief are surprisingly fresh and insightful, and though the other death girls don’t leave much of an impression, Claire is a remarkably well-drawn character. This was actually my first Wolitzer, and I’m interested to see how her style has evolved through the years.
I know I’ve been a sporadic blogger this year, at best, but this is always my favorite post to write, so let’s get into it! As of today I have read 16/38 of my Anticipated 2021 Releases — not an amazing ratio, but given the year I’ve had, I’m not unhappy with it. I’ve actually been distancing myself from new releases in recent months so I thought this post might end up shorter than usual, but we somehow wound up with a whopping 40+, so, there’s no time to waste…
These are in chronological order and all publishers/pub dates are US unless otherwise indicated. Blurbs are taken from Goodreads or publisher websites.
The Latinist by Mark Prins January 4 Norton
Tessa Templeton has thrived at Oxford University under the tutelage and praise of esteemed classics professor Christopher Eccles. And now, his support is the one thing she can rely on: her job search has yielded nothing, and her devotion to her work has just cost her her boyfriend, Ben. Yet shortly before her thesis defense, Tessa learns that Chris has sabotaged her career—and realizes their relationship is not at all what she believed.
Driven by what he mistakes as love for Tessa, Chris has ensured that no other institution will offer her a position, keeping her at Oxford with him. His tactics grow more invasive as he determines to prove he has her best interests at heart. Meanwhile, Tessa scrambles to undo the damage—and in the process makes a startling discovery about an obscure second-century Latin poet that could launch her into academic stardom, finally freeing her from Chris’s influence.
A contemporary reimagining of the Daphne and Apollo myth, The Latinist is a page-turning exploration of power, ambition, and the intertwining of love and obsession.
You know I’m always up for a Greek myth retelling and I love the academic setting here; this sounds like it could be very up my alley. Though — not to start off this post on a hesitant note — I’m a little nervous about this premise in the hands of a male author, but I’m definitely willing to give this a try.
To Paradise by Hanya Yanagihara January 11 Doubleday
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
Like any self-respecting A Little Life stan, this is obviously one of my most anticipated releases of the year.
The Family Chao by Lan Samantha Chang February 1 Norton
The residents of Haven, Wisconsin, have dined on the Fine Chao Restaurant’s delicious Americanized Chinese food for thirty-five years, happy to ignore any unsavory whispers about the family owners. But when brash, charismatic, and tyrannical patriarch Leo Chao is found dead—presumed murdered—his sons discover that they’ve drawn the exacting gaze of the entire town.
The ensuing trial brings to light potential motives for all three brothers: Dagou, the restaurant’s reckless head chef; Ming, financially successful but personally tortured; and the youngest, gentle but lost college student James. Brimming with heartbreak, comedy, and suspense, The Family Chao offers a kaleidoscopic, highly entertaining portrait of a Chinese American family grappling with the dark undercurrents of a seemingly pleasant small town.
This sounds sort of reminiscent of Number One Chinese Restaurant which unfortunately was a bit of a flop for me, but I did love that premise so I’m eager to try something similar. This looks like it’s being marketed as a thriller as well, or at least some kind of upmarket literary/thriller blend, which has my name written all over it.
Devotion by Hannah Kent February 3 Pan Macmillan (UK)
1836, Prussia. Hanne is nearly fifteen and the domestic world of womanhood is quickly closing in on her. A child of nature, she yearns instead for the rush of the river, the wind dancing around her. Hanne finds little comfort in the local girls and friendship doesn’t come easily, until she meets Thea and she finds in her a kindred spirit and finally, acceptance.
Hanne’s family are Old Lutherans, and in her small village hushed worship is done secretly – this is a community under threat. But when they are granted safe passage to Australia, the community rejoices: at last a place they can pray without fear, a permanent home. Freedom.
It’s a promise of freedom that will have devastating consequences for Hanne and Thea, but, on that long and brutal journey, their bond proves too strong for even nature to break . . .
I’ve actually still never read anything by Kent aside from Burial Rites, but as that remains one of my all-time favorite books, I’m really eager to start reading more by her, and I love the sound of this.
Yerba Buena by Nina LaCour February 8 Flatiron Books
When Sara Foster runs away from home at sixteen, she leaves behind not only the losses that have shattered her world but the girl she once was, capable of trust and intimacy. Years later, in Los Angeles, she is a sought-after bartender, renowned as much for her brilliant cocktails as for the mystery that clings to her. Across the city, Emilie Dubois is in a holding pattern. In her seventh year and fifth major as an undergraduate, she yearns for the beauty and community her Creole grandparents cultivated but is unable to commit. On a whim, she takes a job arranging flowers at the glamorous restaurant Yerba Buena and embarks on an affair with the married owner.
When Sara catches sight of Emilie one morning at Yerba Buena, their connection is immediate. But the damage both women carry, and the choices they have made, pulls them apart again and again. When Sara’s old life catches up to her, upending everything she thought she wanted just as Emilie has finally gained her own sense of purpose, they must decide if their love is more powerful than their pasts.
I really enjoyed LaCour’s We Are Okay and I’m looking forward to her first adult novel.
Blood Feast by Malika Moustadraf translated by Alice Guthrie February 8 Feminist Press
Malika Moustadraf (1969-2006) is a cult feminist icon in contemporary Moroccan literature, celebrated for her uncompromising, troubling depiction of life on the margins, as well as her stark interrogation of gender and sexuality in North Africa.
Blood Feast is the complete collection of Moustadraf’s short fiction: haunting, visceral stories by a master of the genre. A woman is groped during her suffocating commute; a teenage girl suffers through a dystopian rite of passage; two mothers scheme about how to ensure their daughters pass a virginity test. And the collection’s titular story paints a grim picture of dialysis patients in Casablanca–Moustadraf ultimately died of kidney disease at age thirty-seven, denied access to basic healthcare that could have saved her life.
Through brilliantly executed twists and rich slang, she takes an unflinching look at the female body, abuse and harassment, and double standards around desire. Blood Feast is a sharp provocation to patriarchal power, and a celebration of the life and genius of one of Morocco’s preeminent writers.
I’d actually never heard of this author but I love the sound of this short story collection and I’m eager to give her a try, especially as I don’t think I’ve read any Moroccan literature.
Don’t Look At Me Like That by Diana Athill February 8 NYRB
In England half a century ago, well-brought-up young women are meant to aspire to the respectable life. Some things are not to be spoken of; some are most certainly not to be done. There are rules, conventions. Meg Bailey obeys them. She progresses from Home Counties school to un-Bohemian art college with few outward signs of passion or frustration. Her personality is submerged in polite routines; even with her best friend, Roxane, what can’t be said looms far larger than what can.
But circumstances change. Meg gets a job and moves to London. Roxane gets married to a man picked out by her mother. And then Meg does something shocking – shocking not only by the standards of her time, but by our own.
I always try to read a couple of new NYRB releases every year, and this one really caught my eye. I’ve never read anything by Athill but this sounds like it could be great.
Nightshift by Kiare Ladner February 8 Custom House
When twenty-three-year-old Meggie meets her distant and enigmatic new coworker Sabine, she recognizes in her the person she would like to be. Meggie is immediately drawn to worldly, beautiful, and uninhibited Sabine; and when Sabine announces she’s switching to the nightshift, Meggie impulsively decides to follow her. Giving up her daytime existence, her reliable boyfriend, and the trappings of a normal life, Meggie finds a liberating sense of freedom as she indulges her growing preoccupation with Sabine and plunges into another existence, immersing herself in the transient and uncertain world of the nightshift worker.
While the city sleeps, she passes the hours at work clipping crime stories from the next day’s newspapers. The liminal hours between night and day are spent haunting deserted bars and nightclubs with her eclectic coworkers and going on increasingly wild adventures with Sabine. Yet the closer she gets to Sabine, the more Sabine seems to push her away, leaving Meggie desperately trying to hold on to their intense friendship while doubting if she truly knows her friend at all.
A fresh twist on the coming of age story and a dark love letter to city life, Nightshift explores the thin line between self-invention and self-destruction, as Meggie’s sleep deprivation, drinking, and fixation with Sabine gain a momentum all their own. Vividly set in late-nineties London and framed by Meggie’s present-day reflections, Nightshift is a captivating and moving debut that asks profound questions about who we are and if we can truly escape ourselves.
Would it even be a list by me if there weren’t a few disaster women titles in here? I love books that explore obsession as a theme, so, yes yes yes.
Parallel Hells by Leon Craig February 17 Sceptre (UK)
In this deliciously strange debut collection, Leon Craig draws on folklore and gothic horror in refreshingly inventive ways to explore queer identity, love, power and the complicated nature of being human.
Some say that hell is other people and some say hell is loneliness . . .
In the thirteen darkly audacious stories of Parallel Hells we meet a golem, made of clay, learning that its powers far exceed its Creator’s expectations; a ruined mansion which grants the secret wishes of a group of revelers and a notorious murderer who discovers her Viking husband is not what he seems.
Asta is an ancient being who feasts on the shame of contemporary Londoners, who now, beyond anything, wishes only to fit in with a group of friends they will long outlive. An Oxford historian, in bitter competition with the rest of her faculty members, discovers an ancient tome whose sinister contents might solve her problems. Livia orchestrates a Satanic mass to distract herself from a recently remembered trauma and two lovers must resolve their differences in order to defy a lethal curse.
Kirsty Logan describes this as the “queer horror book of your dreams,” so this definitely sounds like a must-read.
The Leviathan by Rosie Andrews February 17 Raven Books
Norfolk, 1643. With civil war tearing England apart, reluctant soldier Thomas Treadwater is summoned home by his sister, who accuses a new servant of improper conduct with their widowed father. By the time Thomas returns home, his father is insensible, felled by a stroke, and their new servant is in prison, facing charges of witchcraft.
Thomas prides himself on being a rational, modern man, but as he unravels the mystery of what has happened, he uncovers not a tale of superstition but something dark and ancient, linked to a shipwreck years before.
First off, this is hands down my least favorite cover in this post, and I’m not sure why they had to do a book with such a good summary that dirty. But that aside, really looking forward to this one — historical mysteries are always right up my alley.
The Paris Apartment by Lucy Foley February 22 William Morrow
Jess needs a fresh start. She’s broke and alone, and she’s just left her job under less than ideal circumstances. Her half-brother Ben didn’t sound thrilled when she asked if she could crash with him for a bit, but he didn’t say no, and surely everything will look better from Paris. Only when she shows up – to find a very nice apartment, could Ben really have afforded this? – he’s not there.
The longer Ben stays missing, the more Jess starts to dig into her brother’s situation, and the more questions she has. Ben’s neighbors are an eclectic bunch, and not particularly friendly. Jess may have come to Paris to escape her past, but it’s starting to look like it’s Ben’s future that’s in question.
I have to be honest: this is probably the book on here that I’m approaching with the least amount of good faith, because I hated Foley’s The Hunting Party, but what can I say, I’m intrigued by the premise and like a relatively mindless thriller every now and then, so I find it very likely that I end up picking this up. Hoping it exceeds expectations, though.
The World Cannot Give by Tara Isabella Burton March 8 Simon & Schuster
When shy, sensitive Laura Stearns arrives at St. Dunstan’s Academy in Maine, she dreams that life there will echo her favorite novel, All Before Them, the sole surviving piece of writing by Byronic “prep school prophet” (and St. Dunstan’s alum) Sebastian Webster, who died at nineteen, fighting in the Spanish Civil War. She soon finds the intensity she is looking for among the insular, Webster-worshipping members of the school’s chapel choir, which is presided over by the charismatic, neurotic, overachiever Virginia Strauss. Virginia is as fanatical about her newfound Christian faith as she is about the miles she runs every morning before dawn. She expects nothing short of perfection from herself—and from the members of the choir.
Virginia inducts the besotted Laura into a world of transcendent music and arcane ritual, illicit cliff-diving and midnight crypt visits: a world that, like Webster’s novels, finally seems to Laura to be full of meaning. But when a new school chaplain challenges Virginia’s hold on the “family” she has created, and Virginia’s efforts to wield her power become increasingly dangerous, Laura must decide how far she will let her devotion to Virginia go.
I adored Burton’s Social Creature and have been eagerly awaiting her followup. This sounds like it has the potential to be near-perfect. I already have an ARC of this so it’s definitely going to be one of my first reads off this list.
Panpocalypse by Carley Moore March 8 Feminist Press
In COVID pandemic-era New York City, Orpheus manages to buy a bicycle just before they sell out across the city. She takes to the streets looking for Eurydice, the first woman she fell in love with, who also broke her heart. The city is largely closed and on lockdown, devoid of touch, connection, and community. But Orpheus hears of a mysterious underground bar Le Monocle, fashioned after the lesbian club of the same name in 1930s Paris.
Will Orpheus be able to find it? Will she ever be allowed to love again? Panpocalypse—first published as an online serial in spring of 2020—follows a lonely, disabled, poly hero in this novel about disease, decay, love, and revolution.
Have you guys started reading books about COVID yet? I have not, so this has the potential to be my first. Not sure how I feel about that yet but something about this premise makes me really excited to give it a try.
The Book of Cold Cases by Simone St. James March 15 Berkley
In 1977, Claire Lake, Oregon, was shaken by the Lady Killer Murders: Two men, seemingly randomly, were murdered with the same gun, with strange notes left behind. Beth Greer was the perfect suspect–a rich, eccentric twenty-three-year-old woman, seen fleeing one of the crimes. But she was acquitted, and she retreated to the isolation of her mansion.
Oregon, 2017. Shea Collins is a receptionist, but by night, she runs a true crime website, the Book of Cold Cases–a passion fueled by the attempted abduction she escaped as a child. When she meets Beth by chance, Shea asks her for an interview. To Shea’s surprise, Beth says yes.
They meet regularly at Beth’s mansion, though Shea is never comfortable there. Items move when she’s not looking, and she could swear she’s seen a girl outside the window. The allure of learning the truth about the case from the smart, charming Beth is too much to resist, but even as they grow closer, Shea senses something isn’t right. Is she making friends with a manipulative murderer, or are there other dangers lurking in the darkness of the Greer house?
St. James’s The Broken Girls was brilliant and I’ve been meaning to read more by her, and this sounds great.
Disorientation by Elaine Hsieh Chou March 22 Penguin Press
29-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet, Xiao-Wen Chou, and never read about “Chinese-y” things again. But after four years of painstaking research, she has nothing but anxiety and stomach pain to show for her efforts. When she accidentally stumbles upon a strange and curious note in the Chou archives, she convinces herself it’s her ticket out of academic hell.
But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, one that upends her entire life and the lives of those around her. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a rollercoaster of mishaps and misadventures, from campus protests and OTC drug hallucinations, to book burnings and a movement that stinks of “Yellow Peril” propaganda.
In the aftermath, nothing looks quite the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the “super kawaii” Japanese author he’s translated, doubts and insecurities creep in. At the same time, she finds herself drawn to the cool and aloof Alex Kim (even though she swears he’s not her type). As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and most of all, herself.
I’m really drawn to this book in spite of hardly being able to follow the summary — so, we’ll see! Really love this cover as well.
Portrait of an Unknown Lady by María Gainza translated by Thomas Bunstead March 22 Catapult
In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she seems especially gifted at forging canvases by the painter Mariette Lydis, a portraitist of Argentine high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melancólico?
On the trail of this mysterious forger is our narrator, an art critic and auction house employee through whose hands counterfeit works have passed. As she begins to take on the role of art-world detective, adopting her own methods of deception and manipulation, she warns us “not to proceed in expectation of names, numbers or dates . . . My techniques are those of the impressionist.”
Driven by obsession and full of subtle surprise, Portrait of an Unknown Lady is a highly seductive and enveloping meditation on what we mean by “authenticity” in art, and a captivating exploration of the gap between what is lived and what is told.
Speaking of great covers. Gainza’s Optic Nerve wasn’t my favorite — and was actually part of my own personal awakening about how much I dislike autofiction — but I had really enjoyed certain aspects of it, I’m obsessed with art history, and I’d love to read something a bit more plot-heavy by Gainza, so I definitely intend to give this one a try.
Voting Day by Clare O’Dea April 1 Fairlight Books
In February 1959, Switzerland held a referendum on women’s suffrage. The men voted ‘no’.
In this powerful novella, Clare O’Dea explores that day through the eyes of four very different Swiss women. Vreni is a busy farmer’s wife, longing for a break from family life. Her grown-up daughter Margrit is carving out an independent life in Bern, but finds herself trapped in an alarming situation. Esther, a cleaner, is desperate to recover her son who has been taken into care. Beatrice, a hospital administrator, has been throwing herself into the ‘yes’ campaign. The four women’s paths intersect on a day that will leave its mark on all their lives.
I love these short offerings by Fairlight and this one grabbed my attention — love the sound of the summary and it’s Irish, so.
True Biz by Sara Nović April 5 Random House
True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history final, and have doctors, politicians, and their parents stop telling them what to do with their bodies. This revelatory novel plunges readers into the halls of a residential school for the deaf, where they’ll meet Charlie, a rebellious transfer student who’s never met another deaf person before; Austin, the school’s golden boy, whose world is rocked when his baby sister is born hearing; and February, the headmistress, who is fighting to keep her school open and her marriage intact, but might not be able to do both. As a series of crises both personal and political threaten to unravel each of them, Charlie, Austin, and February find their lives inextricable from one another–and changed forever.
This is a story of sign language and lip-reading, cochlear implants and civil rights, isolation and injustice, first love and loss, and, above all, great persistence, daring, and joy. Absorbing and assured, idiosyncratic and relatable, this is an unforgettable journey into the Deaf community and a universal celebration of human connection.
I haven’t read anything from Nović yet but this seems like it could be brilliant.
Portrait of a Thief by Grace D. Li April 5 Dutton
History is told by the conquerors. Across the Western world, museums display the spoils of war, of conquest, of colonialism: priceless pieces of art looted from other countries, kept even now.
Will Chen plans to steal them back.
A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son that has always been his parents’ American Dream. But when a shadowy Chinese corporation reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago.
His crew is every heist archetype one can imagine—or at least, the closest he can get. A conman: Irene Chen, Will’s sister and a public policy major at Duke, who can talk her way out of anything. A thief: Daniel Liang, a premed student with steady hands just as capable of lockpicking as suturing. A getaway driver: Lily Wu, an engineering student who races cars in her free time. A hacker: Alex Huang, an MIT dropout turned Silicon Valley software engineer. Each member of his crew has their own complicated relationship with China and the identity they’ve cultivated as Chinese Americans, but when Will asks, none of them can turn him down.
Because if they succeed? They earn fifty million dollars—and a chance to make history. But if they fail, it will mean not just the loss of everything they’ve dreamed for themselves but yet another thwarted attempt to take back what colonialism has stolen.
I like a good heist story but dislike that so many of them are in the fantasy genre (just as a matter of personal preference), so this sounds like it could be perfect for me.
If an Egyptian Cannot Speak English by Noor Naga April 5 Graywolf Press
In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a café in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants “returning” to a country she’s never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire—for one another, for the selves they want to become through the other—takes a violent turn that neither of them expected.
A dark romance exposing the gaps in American identity politics, especially when exported overseas, If an Egyptian Cannot Speak English is at once ravishing and wry, scathing and tender. Told in alternating perspectives, Noor Naga’s experimental debut examines the ethics of fetishizing the homeland and punishing the beloved . . . and vice versa. In our globalized twenty-first-century world, what are the new faces (and races) of empire? When the revolution fails, how long can someone survive the disappointment? Who suffers and, more crucially, who gets to tell about it?
First off, amazing cover. Second, this sounds fantastic and I need to read more Egyptian fiction.
Young Mungo by Douglas Stuart April 5 Grove Press
Born under different stars, Protestant Mungo and Catholic James live in the hyper-masculine and violently sectarian world of Glasgow’s housing estates. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they find themselves falling in love, they dream of escaping the grey city, and Mungo works especially hard to hide his true self from all those around him, especially from his elder brother Hamish, a local gang leader with a brutal reputation to uphold.
But the threat of discovery is constant and the punishment unspeakable. When Mungo’s mother sends him on a fishing trip to a loch in Western Scotland with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to get back to a place of safety, a place where he and James might still have a future.
I’m actually the last person on the planet who has yet to read Shuggie Bain, which is especially silly given how likely it seems that I will thoroughly enjoy that novel, so I suppose the inclusion of Young Mungo on here is a bit premature, as I do intend to read Shuggie Bain first. I really like the sound of both novels though so I’m hoping I do enjoy them.
None of This is Serious by Catherine Prasifka April 7 Canongate (UK)
Dublin student life is ending for Sophie and her friends. They’ve got everything figured out, and Sophie feels left behind as they all start to go their separate ways. She’s overshadowed by her best friend Grace. She’s been in love with Finn for as long as she’s known him. And she’s about to meet Rory, who’s suddenly available to her online.
At a party, what was already unstable completely falls apart and Sophie finds herself obsessively scrolling social media, waiting for something (anything) to happen.
None of This Is Serious is about the uncertainty and absurdity of being alive today. It’s about balancing the real world with the online, and the vulnerabilities in yourself, your relationships, your body. At its heart, this is a novel about the friendships strong enough to withstand anything.
The Sally Rooney of it all… This is also blurbed by Naoise Dolan, who’s the author of my favorite Sally Rooney novel not written by Sally Rooney, so, this seems extremely promising for me.
Violets by Kyung-sook Shin translated by Anton Hur April 14 Feminist Press
We join San in 1970s rural South Korea, a young girl ostracised from her community. She meets a girl called Namae, and they become friends until one afternoon changes everything. Following a moment of physical intimacy in a minari field, Namae violently rejects San, setting her on a troubling path of quashed desire and isolation.
We next meet San, aged twenty-two, as she starts a job in a flower shop. There, we are introduced to a colourful cast of characters, including the shop’s mute owner, the other florist Su-ae, and the customers that include a sexually aggressive businessman and a photographer, who San develops an obsession for. Throughout, San’s moment with Namae lingers in the back of her mind.
I’ve only read one Kyung-sook Shin novel (I’ll Be Right There) and didn’t enjoy it as much as I expected to, but I do enjoy Anton Hur’s translations and I love the sound of this one.
Sea of Tranquility by Emily St. John Mandel April 15 Knopf
Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal–an experience that shocks him to his core.
Two centuries later a famous writer named Olive Llewellyn is on a book tour. She’s traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive’s bestselling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him.
When Gaspery-Jacques Roberts, a detective in the black-skied Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe.
Honestly, this summary doesn’t sound like my sort of thing, but then again, neither did the summary for The Glass Hotel, which ended up being my favorite novel of the year in 2020. So I’m open to literally anything Emily St. John Mandel writes.
Auē by Becky Manawatu April 18 Scribe (Australia)
Taukiri was born into sorrow. Auē can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his father’s. It spills out of the gang violence that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home.
But Taukiri’s brother, Arama, is braver than he looks, and he has a friend, and his friend has a dog, and the three of them together might just be strong enough to turn back the tide of sadness.
This is a book by a New Zealand author being published in Australia in 2022, so I’m not sure if I’ll want to order it or wait and hope for an American release, but I’ve heard incredible things about this.
there are more things by Yara Rodrigues Fowler April 28 Fleet
Born to a well-known political family in Olinda, Brazil, Catarina grows up in the shadow of her dead aunt, Laura. Melissa, a South London native, is brought up by her mum and a crew of rebellious grandmothers.
In January 2016, Melissa and Catarina meet for the first time, and, as political turmoil unfolds across Brazil and the UK, their friendship takes flight. Their story takes us across continents and generations – from the election of Lula to the London riots to the darkest years of Brazil’s military dictatorship.
there are more things builds on the unique voice of Yara’s debut to create a sweeping novel about history, revolution and love. In it we see sisterhood and queerness, and, perhaps, glimpse a better way to live.
I’m so looking forward to Yara Rodrigues Fowler’s followup to Stubborn Archivist, which I thought was fantastic. Also, we love a Shakespeare title.
Homesickness by Colin Barrett May 3 Grove Press
In these eight stories, Barrett takes us back to the barren backwaters of County Mayo, via Toronto, and illuminates the lives of outcasts, misfits and malcontents with an eye for the abrupt and absurd. A quiet night in the neighbourhood pub is shattered by the arrival of a sword wielding fugitive. A funeral party teeters on the edge of this world and the next, as ghosts won’t simply lay in wake. A shooting sees an everyday call-out lead a policewoman to confront the banality of her own existence.
Potentially my most anticipated book of the year?! Barrett’s Young Skins is one of my favorite short story collections of all time and I still frequently think about and revisit his novella Calm With Horses, so I’ve been eagerly awaiting his next book for years.
Little Rabbit by Alyssa Songsiridej May 3 Bloomsbury
When the unnamed narrator of Little Rabbit first meets the choreographer at an artists’ residency in Maine, it’s not a match. She finds him loud, conceited, domineering. He thinks her serious, guarded, always running away to write. But when he reappears in her life in Boston and invites her to his dance company’s performance, she’s compelled to attend. Their interaction at the show sets off a summer of expanding her own body’s boundaries: She follows the choreographer to his home in the Berkshires, to his apartment in New York, and into submission during sex. Her body learns to obediently follow his, and his desires quickly become inextricable from her pleasure. This must be happiness, right?
Back in Boston, her roommate Annie’s skepticism amplifies her own doubts about these heady weekend retreats. What does it mean for a queer young woman to partner with an older man, for a fledgling artist to partner with an established one? Is she following her own agency, or is she merely following him? Does falling in love mean eviscerating yourself?
Another disaster woman offering by a debut author that sounds like it could be amazing.
All the Lovers in the Night by Mieko Kawakami translated by Sam Bett and David Boyd May 3 Europa Editions
Fuyuko Irie is a freelance copy editor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyoku stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a drab, awkward, and spiritless woman who has lacked the strength to change her life and decides to do something about it.
As the long overdue change occurs, however, painful episodes from Fuyuko’s past surface and her behavior slips further and further beyond the pale. All the Lovers in the Night is acute and insightful, entertaining and engaging; it will make readers laugh, and it will make them cry, but it will also remind them, as only the best books do, that sometimes the pain is worth it.
Another year, another Mieko Kawakami book on my most anticipated list despite the fact that I still haven’t read anything by her. 2022 will be her year though, I am determined.
Elektra by Jennifer Saint May 10 Flatiron Books
The House of Atreus is cursed. A bloodline tainted by a generational cycle of violence and vengeance. This is the story of three women, their fates inextricably tied to this curse, and the fickle nature of men and gods.
Clytemnestra The sister of Helen, wife of Agamemnon – her hopes of averting the curse are dashed when her sister is taken to Troy by the feckless Paris. Her husband raises a great army against them, and determines to win, whatever the cost.
Cassandra Princess of Troy, and cursed by Apollo to see the future but never to be believed when she speaks of it. She is powerless in her knowledge that the city will fall.
Elektra The youngest daughter of Clytemnestra and Agamemnon, Elektra is horrified by the bloodletting of her kin. But, can she escape the curse, or is her own destiny also bound by violence?
I enjoyed Saint’s Ariadne — not a new favorite, but I liked it enough that I’m curious about the author’s next project, and The House of Atreus is extremely my shit when it comes to Greek mythology.
Bitter Orange Tree by Jokha Alharthi translated by Marilyn Booth May 10 Catapult
The eagerly awaiting new novel by the winner of the Man Booker International Prize, Bitter Orange Tree is an extraordinary exploration of social status, wealth, desire, and female agency. In prose that is at once restless and profound, it presents a mosaic portrait of one young woman’s attempt to understand the roots she has grown from, and to envisage an adulthood in which her own power and happiness might find the freedom necessary to bear fruit and flourish.
Bitter Orange Tree tells the story of Zuhur, an Omani student at a British university who is caught between the past and the present. As she attempts to form friendships and assimilate in Britain, she reflects on the relationships that have been central to her life. Most prominent is her bond with Bint Amir, a woman she has always thought of as her grandmother, who passed away just after Zuhur left the Arabian Peninsula. Bint Amir was not, we learn, related to Zuhur by blood, but by an emotional connection far stronger.
As the historical narrative of Bint Amir’s challenged circumstances unfurls in captivating fragments, so too does Zuhur’s isolated and unfulfilled present, one narrative segueing into another as time slips, and dreams mingle with memories.
I actually haven’t read Celestial Bodies yet, but this summary appeals to me a bit more, so perhaps I’ll read this first and then go back and read Alharthi’s International Booker winner if I enjoy this.
Holding Her Breath by Eimear Ryan May 17 Mariner Books
When Beth Crowe starts university, she is shadowed by the ghost of her potential as a competitive swimmer. Free to create a fresh identity for herself, she finds herself among people who adore the poetry of her grandfather, Benjamin Crowe, who died tragically before she was born. She embarks on a secret relationship – and on a quest to discover the truth about Benjamin and his widow, her beloved grandmother Lydia. The quest brings her into an archive that no scholar has ever seen, and to a person who knows things about her family that nobody else knows.
I’m so intrigued by the combination of Marian Keyes and Roddy Doyle blurbs on the cover and can’t quite figure out whether this is being marketed as literary fiction or commercial/’women’s’ fiction, but something about the summary is grabbing me, so, only one way to find out.
Either/Or by Elif Batuman May 24 Penguin Press
Selin is the luckiest person in her family: the only one who was born in America and got to go to Harvard. Now it’s sophomore year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin’s elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside? Why is Ivan’s weird ex-girlfriend now trying to get in touch with Selin? On the plus side, it feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy abandoned women in them? How does one live a life as interesting as a novel–a life worthy of becoming a novel–without becoming a crazy abandoned woman oneself?
Guided by her literature syllabus and by her more worldly and confident peers, Selin reaches certain conclusions about the universal importance of parties, alcohol, and sex, and resolves to execute them in practice–no matter what the cost. Next on the list: international travel.
Unfolding with the propulsive logic and intensity of youth, Either/Or is a landmark novel by one of our most brilliant writers. Hilarious, revelatory, and unforgettable, its gripping narrative will confront you with searching questions that persist long after the last page.
My other most anticipated release of the year, tied with Homesickness. At first I didn’t know how to feel about the fact that The Idiot, one of my favorite novels of the past decade, is getting a sequel when I’m very opposed to sequels on principle, especially for works that were conceived as stand-alones. However, the opportunity to spend more time with Selin’s voice is so enticing that I was quickly won over.
Exalted by Anna Dorn June 7 Unnamed Press
Emily Forrest runs the hottest astrology account on Instagram, @Exalted, but astrology is on the outs, and her finances are dwindling. Emily doesn’t even really believe in astrology, despite her gift for deciphering the moons and signs, until she comes across a birth-chart that could potentially change her mind. Beau Rubidoux’s chart has all the planets in their right places—it is exalted.
She decides that Beau could potentially be the love of her life and begins following him around Los Angeles in hopes of getting close to him and catching his eye.
Meanwhile, in Riverside, CA, Dawn Webster has been dumped once again. At 48, she is forced to return to the diner where she started waiting tables at 18. With no girlfriend, no career, and her only son gone to Hollywood, the once-vivacious Dawn is aimless and alone. Persona non-grata at the local lesbian bar, she guzzles cheap champagne and peruses @Exalted to feel seen. When Dawn spots her son’s estranged father one day during a work break, she decides to track him down and reshape the flailing course of her life.
Told from Emily and Dawn’s alternating points of view, Exalted is a deliciously dark novel that explores desire, the projection of love, and what we’re really searching for when we keep scrolling. Anna Dorn’s signature wit and biting social commentary takes readers across Southern California until Emily and Dawn’s shocking connection is finally revealed.
I love astrology and I love books set in LA so this sounds very me.
The House Across the Lake by Riley Sager June 8 Dutton
It looks like a familiar story: A woman reeling from a great loss with too much time on her hands and too much booze in her glass watches her neighbors, sees things she shouldn’t see, and starts to suspect the worst. But looks can be deceiving. . . .
Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of liquor, she passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake.
Everything about the Royces seems perfect. Their marriage. Their house. The bucolic lake it sits beside. But when Katherine suddenly vanishes, Casey becomes obsessed with finding out what happened to her. In the process, she discovers the darker truths lurking just beneath the surface of the Royces’ picture-perfect marriage. Truths no suspicious voyeur could begin to imagine–even with a few drinks under her belt.
Like Casey, you’ll think you know where this story is headed.
Because once you open the door to obsession, you never know what you might find on the other side.
My guilty pleasure author (that I don’t actually feel guilty about enjoying as much as I do, because life is too short). Funnily enough I’m kind of irritated that he’s revisiting Vermont as a setting, because his other Vermont-set book (Home Before Dark) was one of my least favorites, in part due to how unconvincing I found the setting, but, odds are I’ll enjoy this one anyway.
The Men by Sandra Newman June 14 Grove Press
Deep in the California woods on an evening in late August, Jane Pearson is camping with her husband Leo and their five-year-old son Benjamin. As dusk sets in, she drifts softly to sleep in a hammock strung outside the tent where Leo and Benjamin are preparing for bed. At that moment, every single person with a Y chromosome vanishes around the world, disappearing from operating theaters mid-surgery, from behind the wheels of cars, from arguments and acts of love. Children, adults, even fetuses are gone in an instant. Leo and Benjamin are gone. No one knows why, how, or where.
After the Disappearance, Jane forces herself to enter a world she barely recognizes, one where women must create new ways of living while coping with devastating grief. As people come together to rebuild depopulated industries and distribute scarce resources, Jane focuses on reuniting with an old college girlfriend, Evangelyne Moreau, leader of the Commensalist Party of America, a rising political force in this new world. Meanwhile, strange video footage called “The Men” is being broadcast online showing images of the vanished men marching through barren, otherworldly landscapes. Is this just a hoax, or could it hold the key to the Disappearance?
I cannot resist an ‘imagine the world with no men,’ premise, and Newman is brilliant.
Lapvona by Ottessa Moshfegh June 22 Penguin Press
Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him as a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside of the village is a place to fear and to avoid, a godless place.
Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces upset the old order. By year’s end, the veil between blindness and sight, life and death, the natural world and the spirit world, civility and savagery, will prove to be very thin indeed.
Ottessa Moshfegh has written two books that I love more than anything (My Year of Rest and Relaxation and Eileen), and two I heartily dislike (Homesick for Another World and Death In Her Hands). So, the stakes are high for Lapvona, but this summary sounds incredible, so I’m cautiously optimistic.
Rogues: True Stories of Grifters, Killers, Rebels, and Crooks by Patrick Radden Keefe June 28 Doubleday
Patrick Radden Keefe has garnered prizes ranging from the National Magazine Award to the Orwell Prize to the National Book Critics Circle Award for his meticulously-reported, hypnotically-engaging work on the many ways people behave badly. ROGUES brings together a dozen of his most celebrated articles from The New Yorker. As Keefe says in his preface “They reflect on some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial.”
Keefe brilliantly explores the intricacies of forging $150,000 vintage wines, examines whether a whistleblower who dared to expose money laundering at a Swiss bank is a hero or a fabulist, spends time in Vietnam with Anthony Bourdain, chronicles the quest to bring down a cheerful international black market arms merchant, and profiles a passionate death penalty attorney who represents the “worst of the worst,” among other bravura works of literary journalism.
I actually haven’t gotten around to reading Empire of Pain yet, but Say Nothing is one of my favorite books of all time, so I’ll read anything Radden Keefe writes.
Counterfeit by Kirstin Chen July 5 William Morrow
Money can’t buy happiness… but it can buy a decent fake.
Ava Wong has always played it safe. As a strait-laced, rule-abiding Chinese American lawyer with a successful surgeon as a husband, a young son, and a beautiful home–she’s built the perfect life. But beneath this facade, Ava’s world is crumbling: her marriage is falling apart, her expensive law degree hasn’t been used in years, and her toddler’s tantrums are pushing her to the breaking point.
Enter Winnie Fang, Ava’s enigmatic college roommate from Mainland China, who abruptly dropped out under mysterious circumstances. Now, twenty years later, Winnie is looking to reconnect with her old friend. But the shy, awkward girl Ava once knew has been replaced with a confident woman of the world, dripping in luxury goods, including a coveted Birkin in classic orange. The secret to her success? Winnie has developed an ingenious counterfeit scheme that involves importing near-exact replicas of luxury handbags and now she needs someone with a U.S. passport to help manage her business–someone who’d never be suspected of wrongdoing, someone like Ava. But when their spectacular success is threatened and Winnie vanishes once again, Ava is left to face the consequences.
I adored Chen’s novel Bury What We Cannot Take and have been looking forward to her followup, so I’m very excited about this one — the summary sounds brilliant.
Night of the Living Rez by Morgan Talty July 5 Tin House
Set in a Native community in Maine, Night of the Living Rez is a riveting debut collection about what it means to be Penobscot in the twenty-first century and what it means to live, to survive, and to persevere after tragedy.
In twelve striking, luminescent stories, author Morgan Talty—with searing humor, abiding compassion, and deep insight—breathes life into tales of family and community bonds as they struggle with a painful past and an uncertain future. A boy unearths a jar that holds an old curse, which sets into motion his family’s unraveling; a man, while trying to swindle some pot from a dealer, discovers a friend passed out in the woods, his hair frozen into the snow; a grandmother suffering from Alzheimer’s projects the past onto her grandson, and thinks he is her dead brother come back to life; and two friends, inspired by Antiques Roadshow, attempt to rob the tribal museum for valuable root clubs.
A short story collection by an Indigenous debut author that I think could be brilliant.
Life Ceremony by Sayaka Murata translated by Ginny Tapley Takemori July 5 Grove Press
In these twelve stories, Murata mixes an unusual cocktail of humor and horror to portray both the loners and outcasts as well as turning the norms and traditions of society on their head to better question them. Whether the stories take place in modern-day Japan, the future, or an alternate reality is left to the reader’s interpretation, as the characters often seem strange in their normality in a frighteningly abnormal world. In “A First-Rate Material”, Nana and Naoki are happily engaged, but Naoki can’t stand the conventional use of deceased people’s bodies for clothing, accessories, and furniture, and a disagreement around this threatens to derail their perfect wedding day. “Lovers on the Breeze” is told from the perspective of a curtain in a child’s bedroom that jealously watches the young girl Naoko as she has her first kiss with a boy from her class and does its best to stop her. “Eating the City” explores the strange norms around food and foraging, while “Hatchling” closes the collection with an extraordinary depiction of the fractured personality of someone who tries too hard to fit in.
More short stories, this time by the author of Convenience Store Woman, which I adored. I have still yet to read Earthlings, but I’d like to soon, ahead of this.
Our Wives Under the Sea by Julia Armfield July 5 William Morrow
Leah is changed. Months earlier, she left for a routine expedition, only this time her submarine sank to the sea floor. When she finally surfaces and returns home, her wife Miri knows that something is wrong. Barely eating and lost in her thoughts, Leah rotates between rooms in their apartment, running the taps morning and night.
As Miri searches for answers, desperate to understand what happened below the water, she must face the possibility that the woman she loves is slipping from her grasp.
First off, not sure why Flatiron is doing this book so dirty when the UK cover is so stunning, but either way, this summary sounds incredible.
Enjoy Me among My Ruins by Juniper Fitzgerald July 12 Feminist Press
Combining feminist theories, X-Files fandom, and personal memoir, Enjoy Me among My Ruins draws together a kaleidoscopic archive of Juniper Fitzgerald’s experiences as a queer sex-working mother. Plumbing the major events that shaped her life, and interspersing her childhood letters written to cult icon Gillian Anderson, this experimental manifesto contends with dominant narratives placed upon marginalized bodies and ultimately rejects a capitalist system that demands our purity and submission over our survival.
I’ve never actually seen the X-Files, but I’m really drawn to memoirs that explore fandom, as well as sex work, so this sounds like it could be fantastic.
Mothers Don’t by Katiza Agirre translated by Katie Whittemore July 12 Open Letter Press
A mother kills her twins. Another woman, the narrator of this story, is about to give birth. She is a writer, and she realizes that she knows the woman who committed the infanticide. An obsession is born. She takes an extended leave, not for child-rearing, but to write. To research and write about the hidden truth behind the crime.
Mothers don’t write. Mothers give life. How could a woman be capable of neglecting her children? How could she kill them? Is motherhood a prison? Complete with elements of a traditional thriller, this a groundbreaking novel in which the chronicle and the essay converge. Katixa Agirre reflects on the relationship between motherhood and creativity, in dialogue with writers such as Sylvia Plath and Doris Lessing. Mothers Don’t plumbs the depths of childhood and the lack of protection children face before the law. The result is a disturbing, original novel in which the author does not offer answers, but plants contradictions and discoveries.
Leave it to me to dislike all ‘motherhood books,’ except the one with the most fucked up sounding premise ever, but what can I say, I’m really drawn to how twisted this sounds.
Paul by Daisy Lafarge August 16 Riverhead
When personal scandal forces her to leave Paris, Frances, a young British graduate student, travels to southern France one summer to volunteer on a farm. Almost as soon as she arrives, she is pulled into a relationship with the farm’s enigmatic owner, Paul, a well-traveled older artist. Alone in a foreign country, drawn into his orbit, and eventually tangled up in his sheets, Frances starts to lose herself in Paul’s easy, experienced charm. Yet over the course of three intense weeks, as she discovers more about Paul and the people surrounding him, she realizes that she’s caught in an emotional battle of wills that threatens to stifle her voice and crush her autonomy. Coming to terms with what’s happening to her and wresting control from an older man with dark secrets of his own are at the heart of this compelling, unsettling novel.
By turns the story of how a modern woman finds the inner strength to regain her sense of self and a fascinating exploration of the power dynamics between men and women, Paul is a deeply human novel that holds a mirror up to many of the issues that people confront today.
Potentially another disaster woman novel, with an intriguing setting. Really curious about this one.
Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution by R.F. Kuang August 23 Harper Voyager
1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation — also known as Babel.
Babel is the world’s center of translation and, more importantly, of silver-working: the art of manifesting the meaning lost in translation through enchanted silver bars, to magical effect. Silver-working has made the British Empire unparalleled in power, and Babel’s research in foreign languages serves the Empire’s quest to colonize everything it encounters.
Oxford, the city of dreaming spires, is a fairytale for Robin; a utopia dedicated to the pursuit of knowledge. But knowledge serves power, and for Robin, a Chinese boy raised in Britain, serving Babel inevitably means betraying his motherland. As his studies progress Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to sabotaging the silver-working that supports imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide: Can powerful institutions be changed from within, or does revolution always require violence? What is he willing to sacrifice to bring Babel down?
Babel — a thematic response to The Secret History and a tonal response to Jonathan Strange & Mr. Norrell — grapples with student revolutions, colonial resistance, and the use of translation as a tool of empire.
Absolutely everything about this sounds perfect for me, and I loved Kuang’s writing in The Poppy War trilogy (at least in the first two… I have still yet to finish that). I’m very excited to see her going in such a different direction after that series as well.
Blood of Troy by Claire M. Andrews PUB DATE TK Little, Brown and Co.
In this sequel to Daughter of Sparta, Daphne and Apollo are thrust into the middle of the Trojan War.
Daughter of Sparta was an extremely fun YA romp through Ancient Greece, and I’m so excited about the sequel being set in Troy, my favorite of all Greek myth settings.
Heretic by Jeanna Kadlec PUB DATE TK Houghton Mifflin Harcourt
“… a memoir in essays on life after leaving the evangelical church, queerness, and what faith looks like in the face of millennial loneliness and desire for community and meaning — all in light of the hold evangelicalism has on American politics, power structures, and pop culture…”
Hannah found this one and she always finds the best memoirs. I don’t think this is out until the fall, but I’m really looking forward to it.
So there you have it, my not-so-brief list of books I’m looking forward to in the new year. I am under no illusions that I will possibly read all of these books, but I’m excited about the sheer volume to choose from.
Which 2022 releases are you most looking forward to? Comment and let me know!
Brideshead Revisited by Evelyn Waugh ★★★★☆ originally published in 1945
I’m rarely at a loss for words but Brideshead Revisited has thoroughly stumped me. I cannot put my finger on how I feel about this book. It took me the better part of half a year to read, so… that is certainly a point against it – but I also found it remarkable? I think it’s worth noting that my expectations going into this book were all wrong; I neither expected nor needed this to be an explicit romance between Charles and Sebastian, but I did expect Charles’ and Sebastian’s relationship (in whatever form) to provide this novel’s framework, and I couldn’t help but to find it occasionally aimless as a result – though that isn’t really a fair criticism. I also felt a bit “right book, wrong time” syndrome-y about this; I didn’t feel like I was in the right headspace to engage with it exactly the way it deserved (notably on a theological level). But that said, I did find it worthwhile and certain passages quite arresting. I think this book captures the feeling of nostalgia in a poignant and special way – it left me aching for a time that I never lived through. I’m definitely going to want to revisit this one day when I can give it the attention it deserves.
I managed to read 4 books for my and Hannah’s readathon: Catherine House, Tokyo Ueno Station, Luster, and The Lost Village. Of course, since then I’ve also acquired (checks notes) 5 more ARCs from Netgalley, so it does feel a bit like I’m running on a hamster wheel here.
I am so sick of myself. If I don’t finish Death in Her Hands and Brideshead Revisited in October I am throwing them into the ocean.
SUCH A FUN AGE by Kiley Reid
G.P. Putnam’s Sons, 2019
So, first things first: my expectations for this book were all wrong. Most summaries of this book describe in detail the novel’s first 20 or so pages, in which the protagonist, Emira, a young Black woman, takes the white toddler she’s babysitting to a local supermarket and is accused of kidnapping her. From this I expected something sort of Celeste Ng-esque, or maybe even comparable to Jodi Picoult’s courtroom thrillers; the reality of this book is much more banal. Shortly after The Inciting Incident, everything goes back to normal, except for the fact that Alix, the mother of the toddler Emira was babysitting, becomes fixated on making amends, to the point where Emira’s wishes are disregarded entirely in Alix’s attempt to do good by her.
The theme of performative allyship is a topical one, but it’s not navigated with any particular finesse. I think there’s a good book in here somewhere, buried deep under irritating dialogue and commonplace events unfolding with melodrama; take for example this description of a toddler throwing up at a dinner party – this is the seriousness with which this utterly unremarkable event is written: “And when Emira grabbed what she knew was a very expensive napkin and dove across the table to cover the toddler’s mouth, Jodi was the first to notice and scream.” The chapter ends there. At ‘Jodi was the first to notice and scream’ I thought the child was about to have a seizure and be rushed to the hospital, but not even in a way where I felt the tension? This whole book was melodrama one-step removed.
And as much as I admired Reid’s intentions, I couldn’t help but to feel that the whole thing was just so heavy-handed. It’s so easy to intuit Emira, Alix, and Kelley’s narrative functions so early on that I could never quite believe any of them as real people or become invested. I just felt like Reid knew exactly what she wanted to say with this book but not how she wanted to say it; the novel as a whole feels clunky and unfocused, like a quilt that’s stapled together rather than sewn.
Ultimately: a perfectly fine debut and a good book club book (I don’t mean that in a judgmental way! if you want to force your friends or coworkers into having a serious conversation about racism and white allyship, by all means start here!) but as a literary novel this left so much to be desired that its inclusion in the Booker longlist is… baffling to me.
IF WE WERE VILLAINS by M.L. Rio
Flatiron Books, 2017
I do not reread books very frequently; between having a pretty decent memory and being in a constant state of intimidation regarding my TBR I rarely feel compelled to revisit books I’ve already read, especially if they aren’t all-time favorites. If We Were Villains falls into that category; I first read it as an ARC in 2017 (original review here – from before I was any good at writing reviews, hah) and I really enjoyed it – I found it fun and compelling and moving, but it wasn’t a book that I actually expected to revisit at any point.
Cue the unexpected plot twist where I would spend most of 2020 injecting Shakespeare straight into my veins. If you do go back and read my not very good original review, you’ll see that I actually talk about my opinions on Shakespeare, which were, at the time, middling – in the sense that I had a couple of Shakespeare plays I loved, and I typically enjoyed the productions I’ve gotten the chance to see, but until this year Shakespeare had never been a very big part of my life. Now (in case you haven’t been following my recent obsession), a group of friends and I spend every Saturday evening performing a different Shakespeare play over Zoom, and I thought that revisiting If We Were Villains in this context would make for a more exciting reading experience than it was for me in 2017.
And yes, it certainly was. Despite having more issues with this book the second time around – I’ll get to that in a second – I had so much fun with this. Obviously an informal production over Zoom is not the same as intensive study at a Shakespearean academy, but still; I felt so much more engaged in the drama surrounding character types since I was able to quickly mentally sort every single person in our group into one of the seven types Rio presented (I’m James, if anyone was wondering). The constant quoting of Shakespeare too took on a whole new life for me; I’ve only been doing this since March, and still I find myself quoting Shakespeare out of context in my daily life. Yes, the extent that these characters do it is deliberately heightened to the point of being unrealistic, but they’ve also immersed themselves in intensive Shakespearean study every day for four years so I’ll give them a pass.
The one issue I had that I wanted to talk about in some detail is the rather uninspiring treatment of gender. First to give some context: there are seven fourth year students, 4 boys and 3 girls. One girl (Wren) is always cast as the ingenue, another (Meredith) as the temptress, and the third girl (Filippa) is put wherever they need a spare actor, either in a male role or a female one. Filippa constantly laments that she doesn’t have the opportunity to play more female roles; Wren and Meredith are both content with the roles they get cast in.
Now, here’s the thing. At the beginning of the novel, they’re doing Julius Caesar, and a very big deal is made of the fact that Richard, playing Caesar, doesn’t have anything to do after act 3 when Caesar is killed. No mention is made of the fact that Wren and Meredith, playing Portia and Calpurnia respectively, are each only in two scenes, and neither returns after act 2. Calpurnia only has 27 lines (compare to Caesar’s 151 and Brutus’s 721). Yet both Wren and Meredith are perfectly content with their roles, which they’re implied to have auditioned for, and Filippa’s only grievance is that she can’t play a woman.
This is what I don’t understand. This is a college production at an experimental arts academy – why in god’s name would none of these three young women audition for Brutus or Cassius? Why is Filippa more bothered by the fact that she has a male role than a small role? What performer on earth – regardless of gender – would rather play Calpurnia than Caesar? And if Rio wanted to fall back on the excuse that this was the 90s and things were altogether less progressive, fine, or even that women are more accustomed to keeping their mouths shut when they get shafted, I’d get it; what I find disingenuous is that this is never addressed. A lot is made of the male characters’ discontent with the roles they end up playing, but I found the complacency of the female characters incredibly unrealistic. And you can’t argue that this is besides the point of the novel when the entire premise is rooted in tension over casting.
This isn’t a criticism that overpowered the rest of my reading experience, but it was in the back of my mind pretty much the whole time that I read. But that said, this is a book I really enjoy engaging with and I can see myself returning to it again and again as my own personal relationship with Shakespeare and performing evolves.
MY DARK VANESSA by Kate Elizabeth Russell ★★★★★
William Morrow, 2020
My Dark Vanessa was an absolute tour de force and well worth all the hype it has been receiving. The entire framework of the novel is startling – Vanessa, now in her 30s, reflects on a relationship she had with her high school English teacher, Mr. Strane, especially in light of that same teacher being accused of sexual abuse by another student, a young woman named Taylor. I think this novel in most authors’ minds would have been conceived around Taylor – and indeed, though she’s mostly a shadowy figure in this book, there would be plenty to dig into if she were thrust into the limelight: the difficulty of coming forward with abuse allegations when you can’t produce ‘evidence’, the strength that requires, the unwarranted backlash it solicits.
Vanessa however is an entirely different kind of heroine. In fact, we learn that in her 30s, she’s still in contact with Strane, and that she doesn’t believe Taylor’s allegations. Vanessa doesn’t believe herself to have been abused, and she still sees her relationship with Strane as a love story – albeit a doomed one. It’s a premise that could feel almost deliberately belligerent toward its reader, but what Kate Elizabeth Russell is able to achieve with this book is a textured analysis of the difficulty in identifying as a victim. My Dark Vanessa doesn’t have a comforting and predictable trajectory of Vanessa slowly coming to terms with the reality of her situation – the process is messier and the conclusion arguably less satisfying, but it feels truer to life and successfully challenges the disturbing concept that some survivors are ‘good victims’ while others aren’t.
It’s a disturbing, uncomfortable read – the passages which detail the ways Strane groomed and manipulated Vanessa are almost unbearable in their verisimilitude – but at the same time it’s almost impossible to put down. The Lolita intertextuality is occasionally heavy-handed, that’s my one complaint, but the Nabokov references ultimately do serve to give the reader an idea of how 15-year-old Vanessa attempts to make sense of her situation through the classic novels that Strane lends her. It’s a wonderfully paced, brilliantly characterized book that’s as harrowing as it is engrossing.
Queenie by Candice Carty-Williams | will not read/don’t care enough to prioritize this
Actress by Anne Enright | on-hold for now; I read 50 pages, had to put it down when various library holds all came in at the same time, and now it’s been too long to pick it back up, so I’m going to wait a couple of months and start over
Nightingale Point by Luan Goldie | will not read/don’t care enough to prioritize this/have heard it’s awful
At this point, I’m just sort of fed-up. I haven’t had a single 5-star read off this list, I’ve read two that I positively HATED, and if I have to read another book about motherhood I’m going to fucking scream. Luckily the 3 shortlisted titles that I haven’t already read (A Thousand Ships, Mantel, Hamnet) are the 3 that I was most looking forward to off the longlist, so, that was fortuitous, and I’ll definitely be reading those. As for the rest… nope!
So a group of blogging friends and I decided to take the initiative to create our own 2020 longlist. In a perfect world where we were the judges, these are the books we would have longlisted this year (adhering to all the Women’s Prize eligibility criteria):
It’s a group of 8 of us, so we each put forward 2 titles. (See if you can guess mine.)
All of us have a bit of literary prize fatigue at the moment, so we aren’t setting ourselves a deadline to read the list and come up with a shortlist. It’s just something we’re going to meander through and hopefully revisit in a few months’ time.
That said, if you want to join us in reading any of these titles, please do! The idea is ultimately to spotlight a group of books that we think either flew somewhat under the radar this year, or which we think are deserving of all the accolades they’ve been getting.
Comment and let me know your thoughts on the following: 1. the official longlist, 2. our alternate longlist, and 3. your own ideal longlist!
THE GLASS HOTEL by Emily St. John Mandel
Vincent—a young woman named for American poet and playwright Edna St. Vincent Millay—is working as a bartender in a hotel on a remote island in British Columbia, when one day a message is scrawled across the hotel window that reads: “Why don’t you swallow broken glass.” This sets off the unexpected chain of events that are chronicled by Emily St. John Mandel in her highly anticipated novel The Glass Hotel, which follows Vincent from rural Canada to Wall Street as she becomes involved with a high-level financial executive, whose successful business is revealed to be fronting a Ponzi scheme. This is the first novel that Mandel has published since the release of the wildly successful Station Eleven in 2014.
You can read my full review HERE and a piece I wrote about Ponzi schemes HERE.