book review: We Went to the Woods by Caite Dolan-Leach

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WE WENT TO THE WOODS by Caite Dolan-Leach
★★★★☆
Random House, July 2, 2019

 

Like most books compared to The Secret HistoryWe Went to the Woods isn’t as good, so let’s just get that out of the way. Which I’m not saying to be spiteful, I just genuinely don’t want to see this book flop because of unrealistically high expectations. Yes, it follows a group of friends who isolate themselves and end up propelled inevitably into tragedy, and yes, it reads like a train wreck in the best kind of way, so it’s an understandable comparison. But it’s also a deeply aggravating book, and I say that as someone who thoroughly enjoyed it.

We Went to the Woods focuses on Mack, a grad school dropout who, fleeing some kind of messy event in her past (more on that in a second), joins a group of idealistic young people who essentially endeavor to live in a modern-day socialist commune. That’s basically the plot: many pages of gardening and rivalries and sexual tension and social activism ensue.

My biggest issue with this book was the way Mack’s backstory was handled: what should have been presented to the reader on page one was nonsensically withheld for a lame kind of ‘gotcha!’ moment halfway through the book that added nothing to the narrative or the suspense. When Mack finally tells her story, it feels like a stranger reciting it rather than the narrator whose head we’d been inhabiting for several hundred pages – so little does the event actually impact her thoughts or actions (other than providing the incentive she needed to abandon her life and join this project).

My other main issue is pace: though I found this compelling, mostly due to Caite Dolan-Leach’s elegant and clever writing, I imagine that for a lot of readers, it’s probably going to drag. With a cover and title like this it’s easy to imagine that you’re in for some kind of thriller, but like We Went to the Woods‘ predecessor, Dead Letters, I fear that this book is going to suffer from ‘marketed as a thriller, gets bad reviews because it’s actually literary fiction’ syndrome. However, where Dead Letters (an underrated gem, in my opinion) is the kind of book where a single word isn’t out of place, We Went to the Woods languishes, unnecessarily so. I can only hope a few hundred more redundant words are chopped before its publication date.

But to be honest, the only reason I’m dwelling so much on the negatives is because I did enjoy it so much – it’s the kind of book that fully earned my investment and therefore frustrated me all the more in the areas where it fell short. That said, there’s so much to recommend it. This book is a contemporary zeitgeist, taking a premise that seems to belong in the 60s and modernizing it with urgency. In a scene where the characters learn the results of the 2016 election, their reactions are almost painfully recognizable, and the book’s main themes and social commentary dovetail again and again, always asking the same question: how important is activism in late-stage capitalism; is it better to try something that turns out to be futile or not try anything at all? Though the characters do quite a bit of moralizing, Dolan-Leach doesn’t, as she recognizes the complexity of the book’s central conceit.

And on top of all that, I found it incredibly entertaining. Slow pace aside, I was so drawn into this story and couldn’t wait to find out what happened next. I wouldn’t recommend this to anyone who needs their protagonists to be likable, but if you enjoy character studies about twisted, flawed individuals, this is a pretty good one.

Thank you to Netgalley and Random House for the advanced copy provided in exchange for an honest review.

You can pre-order a copy of We Went to the Woods here on Book Depository.

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book review: Devotion by Madeline Stevens

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DEVOTION by Madeline Stevens
★★★★☆
Ecco, August 13, 2019

 

Devotion is this summer’s Social Creature, a propulsive ‘poor girl meets rich girl’ story set in Manhattan, chronicling the mutually destructive relationship between two young women, Elle and Lonnie. Elle is hired as a nanny for Lonnie’s infant son, and soon her resentment toward her employer turns into an unhealthy obsession.

Despite the inevitable Social Creature comparison, Devotion isn’t quite as suspenseful or climactic, and its protagonists left less of an impression on me. Even so, I had a hard time putting this down; for a slow-moving story it never really loses momentum, and it has that ‘need to know what happens next’ quality that mercifully doesn’t feel like a cop-out when nothing ever really happens.

Madeline Stevens achieves this with pitch-perfect characterization of the novel’s narrator, Elle, whose ‘do I want to be her or do I want to sleep with her’ dynamic with Lonnie is the morbidly compelling thread that holds this plotness novel together and keeps you turning pages. Ultimately: a quick, addictive read that doesn’t offer much in the way of thrills or chills, but still has an eerie and unsettling quality that makes it impossible to look away, and which offers a deceptively nuanced commentary on living on the periphery of extreme wealth.

Thank you to Netgalley and HarperCollins for the advanced copy provided in exchange for an honest review.

You can pre-order a copy of Devotion here on Book Depository.

ARCs I need to read #4

You can see my first installments of this series here, but this is pretty self-explanatory: I talk about the ARCs I need to read!  As always I’m very behind, so I’m only including the ARCs whose publication dates haven’t come and gone.

42179785We Went to the Woods by Caite Dolan-Leach
Publisher: Random House
Publication date: July 2, 2019
Received from: Netgalley
Why I requested it: I absolutely adored Dolan-Leach’s debut Dead Letters which I think suffered from ‘marketed as a thriller when it’s a literary character study’ syndrome, hence the uniform low ratings.  So the similarly low (3.23, yikes) Goodreads rating for her sophomore novel doesn’t really turn me off – I thought Dead Letters had some of the smartest writing I’ve ever read, and I’m eager to read more of her prose.
Goodreads summary: “Certain that society is on the verge of economic and environmental collapse, five disillusioned twenty-somethings make a bold decision: They gather in upstate New York to transform an abandoned farm, once the site of a turn-of-the-century socialist commune, into an idyllic self-sustaining compound called the Homestead.

Louisa spearheads the project, as her wealthy family owns the plot of land. Beau is the second to commit; as mysterious and sexy as he is charismatic, he torments Louisa with his nightly disappearances and his other relationships. Chloe, a dreamy musician, is naturally able to attract anyone to her–which inevitably results in conflict. Jack, the most sensible and cerebral of the group, is the only one with any practical farm experience. Mack, the last to join, believes it’s her calling to write their story–but she is not the most objective narrator, and inevitably complicates their increasingly tangled narrative. Initially exhilarated by restoring the rustic dwellings, planting a garden, and learning the secrets of fermentation, the group is soon divided by slights, intense romantic and sexual relationships, jealousies, and suspicions. And as winter settles in, their experiment begins to feel not only misguided, but deeply isolating and dangerous.”

You can pre-order a copy of We Went to the Woods here on Book Depository.

EDIT: ★★★★☆ | review

40796015Stubborn Archivist by Yara Rodrigues-Fowler
Publisher: Mariner Books
Publication date: July 16, 2019
Received from: Physical ARC from publisher
Why I requested it: ‘Young woman finding her way in the world’ is a formula that pretty much always works for me – and I believe Rebecca recommended this one!
Goodreads summary: “In Stubborn Archivist, a young British Brazilian woman from South London navigates growing up between two cultures and into a fuller understanding of her body, relying on signposts such as history, family conversation, and the eyes of the women who have shaped her—her mother, grandmother, and aunt. Our stubborn archivist takes us through first love and loss, losing and finding home, trauma and healing, and various awakenings of sexuality and identity. Shot through the novel are the narrator’s trips to Brazil, sometimes alone, often with family, where she accesses a different side of herself—one, she begins to realize, that is as much of who she is as anything else.”

You can pre-order a copy of Stubborn Archivist here on Book Depository.

42850426Valerie (The Faculty of Dreams) by Sara Stridsberg
Publisher: FSG
Publication date: August 6, 2019
Received from: Netgalley
Why I requested it: This was longlisted for the Man Booker International, and the impression I’ve gotten from a lot of people is that its exclusion from the shortlist was a snub.  It sounds amazing, plus, that cover!
Goodreads summary: “In April 1988, Valerie Solanas—the writer, radical feminist, and would-be assassin of Andy Warhol—was discovered dead at fifty-two in her hotel room, in a grimy corner of San Francisco, alone, penniless, and surrounded by the typed pages of her last writings.

In Valerie, Sara Stridsberg revisits the hotel room where Solanas died; the courtroom where she was tried and convicted of attempting to murder Andy Warhol; the Georgia wastelands where she spent her childhood, where she was repeatedly raped by her father and beaten by her alcoholic grandfather; and the mental hospitals where she was shut away. Through imagined conversations and monologues, reminiscences and rantings, Stridsberg reconstructs this most intriguing and enigmatic of women, articulating the thoughts and fears that she struggled to express in life and giving a powerful, heartbreaking voice to the writer of the infamous SCUM Manifesto.”

You can pick up a copy of The Faculty of Dreams (UK edition) here on Book Depository.

42201663A Keeper by Graham Norton
Publisher: Atria Books
Publication date: August 16, 2019
Received from: Netgalley
Why I requested it: I don’t even know.  I really didn’t like Norton’s debut Holding.  But you know me, I can’t resist anything Irish, even if it’s a crime novel written by a talk-show host.
Goodreads summary: “When Elizabeth Keane returns to Ireland after her mother’s death, she’s focused only on saying goodbye to that dark and dismal part of her life. Her childhood home is packed solid with useless junk, her mother’s presence already fading. But within this mess, she discovers a small stash of letters—and ultimately, the truth.

Forty years earlier, a young woman stumbles from a remote stone house, the night quiet except for the constant wind that encircles her as she hurries deeper into the darkness away from the cliffs and the sea. She has no sense of where she is going, only that she must keep on. ”

You can pick up a copy of A Keeper (UK edition) here on Book Depository.

42388020Devotion by Madeline Stevens
Publisher: HarperCollins
Publication date: August 13, 2019
Received from: Netgalley
Why I requested it: The cover caught my eye and then I liked the sound of the summary.  I actually started reading this one but I’m hesitant to add it to my currently reading shelf because I can’t decide if I want to commit or not right this moment… I think it has potential, though.
Goodreads summary: “Ella is flat broke: wasting away on bodega coffee, barely making rent, seducing the occasional strange man who might buy her dinner. Unexpectedly, an Upper East Side couple named Lonnie and James rescue her from her empty bank account, offering her a job as a nanny and ushering her into their moneyed world. Ella’s days are now spent tending to the baby in their elegant brownstone or on extravagant excursions with the family. Both women are just twenty-six—but unlike Ella, Lonnie has a doting husband and son, unmistakable artistic talent, and old family money.

Ella is mesmerized by Lonnie’s girlish affection and disregard for the normal boundaries of friendship and marriage. Convinced there must be a secret behind Lonnie’s seemingly effortless life, Ella begins sifting through her belongings, meticulously cataloguing lipstick tubes and baby teeth and scraps of writing. All the while, Ella’s resentment grows, but so does an inexplicable and dizzying attraction. Soon she will be immersed so deeply in her cravings—for Lonnie’s lifestyle, her attention, her lovers—that she may never come up for air.”

You can pre-order a copy of Devotion here on Book Depository.

EDIT: ★★★★☆ | review

43208989The Glass Woman by Caroline Lea
Publisher: Harper
Publication date: September 3, 2019
Received from: Netgalley
Why I requested it: My ‘similar to Burial Rites‘ alarm started blaring when I read this summary and I can’t resist anything that may be even the slightest bit similar to that book.  I love Iceland as a setting and I love literary mysteries, so I have really high hopes for this.
Goodreads summary: “Rósa has always dreamed of living a simple life alongside her Mamma in their remote village in Iceland, where she prays to the Christian God aloud during the day, whispering enchantments to the old gods alone at night. But after her father dies abruptly and her Mamma becomes ill, Rósa marries herself off to a visiting trader in exchange for a dowry, despite rumors of mysterious circumstances surrounding his first wife’s death.

Rósa follows her new husband, Jón, across the treacherous countryside to his remote home near the sea. There Jón works the field during the day, expecting Rósa to maintain their house in his absence with the deference of a good Christian wife. What Rósa did not anticipate was the fierce loneliness she would feel in her new home, where Jón forbids her from interacting with the locals in the nearby settlement and barely speaks to her himself.

Seclusion from the outside world isn’t the only troubling aspect of her new life—Rósa is also forbidden from going into Jón’s. When Rósa begins to hear strange noises from upstairs, she turns to the local woman in an attempt to find solace. But the villager’s words are even more troubling—confirming many of the rumors about Jón’s first wife, Anna, including that he buried her body alone in the middle of the night.”

You can pick up a copy of The Glass Woman (UK edition) here on Book Depository.

42036538Gideon the Ninth by Tamsyn Muir
Publisher: Tor
Publication date: September 10, 2019
Received from: A friend.
Why I requested it: ………… I don’t know guys, I’m nervous about this one, but my friend told me to read it and I am obedient.
Goodreads summary: “Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as necromantic skeletons. The result is a heart-pounding epic science fantasy.

Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.

Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.”

You can pre-order a copy of Gideon the Ninth here on Book Depository.

42980951The Sacrament by Olaf Olafsson
Publisher: HarperCollins
Publication date: December 3, 2019
Received from: Netgalley
Why I requested it: Iceland!  Mysterious death!  I have predictable tastes!  I hadn’t known when I requested this that Olafsson is a businessman responsible for creating PlayStation – I tend to be wary when celebrities try their hand at novel writing (even though there are two examples of that in this list, shh), but I don’t know, I still hope it’ll be an entertaining read.
Goodreads summary: “Author of RESTORATION and ONE STATION AWAY Olaf Olafsson’s THE SACRAMENT, the story of a nun sent to investigate explosive allegations of misconduct at a Catholic school in Iceland, the mysterious death of the headmaster that takes place during her time there, and her return to the scene of the crime two decades later, a trip that brings the past back in surprising ways, revealing the faulty nature of memory and threatening to expose long-buried secrets.”

You can pre-order a copy of The Sacrament here on Book Depository.

So, that’s that!  Have you guys read any of these?  And which ARCs do you have that you’re most looking forward to?  Comment and let me know!

book review: The Club by Takis Würger

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THE CLUB by Takis Würger
translated from the German by Charlotte Collins
★☆☆☆☆
Grove, March 12, 2019

 

This has to be one of the most bizarrely terrible things I’ve ever read. So, the reason I requested this book is because its summary reminded me of a film I like, The Riot Club, which is based off a play I like, Posh by Laura Wade. It’s an ugly story, one that examines the kind of privilege and entitlement and classism and toxic masculinity inherent to elite dining clubs. These are all themes that interest me, and I suppose they must also interest Takis Würger, but they couldn’t have been presented in a more shallow or superficial way in this book if he tried. Characters are caricatures, conflict is nonexistent, the writing is dreadful and perfunctory, the point of view shifts are awkward, and the treatment of its subject matter is appalling. So, let’s begin!

The Club follows Hans, a German orphan whose aunt Alex contacts him out of the blue when he turns 18 and promises to secure him a place at Cambridge, where she works as a professor in art history, but in return he has to investigate the Pitt Club, an all-male dining club who have committed some kind of crime. There will be some spoilers in the rest of this review, which I try to avoid but frankly I don’t care because I wouldn’t wish this book on anyone else, but if you don’t want to spoiled, quit this review while you’re ahead.

So, it’s revealed about halfway through that the crime being investigated is rape, and this is handled… about as crudely as humanly possible (also, trigger warnings for the rest of this review as well as for the book). Aside from the fact that Hans’ main source of internal conflict comes from whether he should betray the rapists who have become his friends (my heart goes out to you dude, must be real tough), and culminates in a positively absurd scene where Hans is debating whether or not he should allow a drugged girl to be raped in order to obtain damning evidence of the club before overcoming his moral quandary by scooping her up and running out the door with her (never mind the other girls who have been left behind at that party?!), we also have an utterly senseless relationship between Hans and Charlotte, one of the Pitt Club’s former victims, which is treated with all the nuance and sensitivity that this sentence would suggest: “I couldn’t stop thinking about how wounded she had seemed when she told me about being raped. I wondered what it meant for us.” Yes, seriously. And even if we can look past the fact that the entire premise hinges on a man getting justice for a woman being raped, which is a narrative that just… needs to end, period, the way it’s handled is so clumsy. Like, at one point, Hans grabs Charlotte’s arm and she tells him off because she’d promised herself she’d never let a man touch her without her permission again… good! But then later, she apologizes to him for that?! Würger goes to great pains to remind us that poor orphaned Hans is the real victim in all this.

And aside from all that, it’s just… bad? It’s mostly told from Hans’ perspective, but other POVs are thrown in and not a single one of them furthers the narrative. We hear from other members of the club who talk like… well, like this: “Basically, I was living proof that money, a place at Cambridge, and a big dick don’t make you happy. Fuck.” We hear from Alex, who just… weirdly rehashes conversations that we’d JUST read from Hans’ perspective. We hear from Charlotte, who you’d think had accidentally slammed her finger in a car door for all the impact a traumatic assault had on her. We hear from a Chinese student named Peter who’s obsessed with gaining entry to the club at all costs, and I guess he was also friends with Charlotte at one point but I’m not sure why that detail was included as it’s never mentioned again? None of it amounts to anything – some of these characters have arcs, others do not, but nothing is resolved except for the mystery of who raped Charlotte, which is never really a mystery at all (I’ll give you a hint: he has a big dick and he’s unhappy).

And even Hans is a generic non-entity of a character. This is the kind of insight that Hans would regularly treat us to: “I didn’t listen to music; I jogged without music, boxed without music. There’d been music at my parents’ funeral.” There’d been music at his parents’ funeral so he could never listen to music again????? There’d also been clothes as his parents’ funeral, I’d assume?! (Also, his parents didn’t die at the same time, meaning they would have had multiple funerals, but I’m hoping that was just a typo.) And also: “Charlotte fell asleep on my elbow. After my parents’ death I’d thought I could never love again, because the fear of losing someone was too great. I had grown cold inside. Now here was this woman, lying on my arm.” Cliche after cliche after cliche. This book just… has nothing at all to say. It wants to be edgy and groundbreaking and enlightening but it is just so painfully vapid in every conceivable way.

I mean, it’s quick and readable, I’ll give it that, but my god, at what cost.

Thanks to Netgalley and Grove Atlantic for the advanced copy provided in exchange for an honest review.

book review: If, Then by Kate Hope Day

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IF, THEN by Kate Hope Day
★★★☆☆
Random House, March 12, 2019

 

If, Then is a quiet, speculative novel about four neighbors living in suburban Oregon. Ginny and Mark are an unhappily married couple, Samara is a young woman coping with the recent death of her mother, and Cass is a young mom who’s had to sacrifice her academic ambitions for motherhood. Gradually the novel introduces the possibility of parallel realities which have begun to overlap, as each character starts to see visions of an alternate version of themselves. Throughout the course of the short novel we study each of these characters and unearth the decisions each of them made which prevented their other self’s reality from coming to fruition.

While I enjoyed this from start to finish and found the ending in particular to be utterly brilliant, I ultimately think I was hoping for more from this novel’s speculative angle. Suburban life is chronicled convincingly, and each character is constructed carefully, but I don’t think this digs deep enough to be the kind of character-driven novel it’s trying to be. This could have been offset by the concept of parallel realities playing a larger role, but instead, that element is more of a vehicle used by the author to explore the novel’s central concept: if I had done this instead of that, then what would have happened as a result? Still, it’s a quick and thought-provoking read, and though it’s underdeveloped in places I think some of the ideas it raises are interesting enough to make up for that. 3.5 stars.

Thank you to Netgalley and Random House for the advanced copy provided in exchange for an honest review.

You can pick up a copy of If, Then here on Book Depository.

book review: When All Is Said by Anne Griffin

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WHEN ALL IS SAID by Anne Griffin
★★☆☆☆
Thomas Dunne Books, March 5, 2019

 

Oh man, this is a tough one. It is not often the case that I look at glowing reviews and think ‘did we read the same book?!’ but here we are… I was convinced beyond a shadow of a doubt that I was going to love this, too! When All Is Said is a contemporary Irish novel about an old man named Maurice who’s looking back at his life and giving a toast to the five people who had the greatest influence on him, most of whom are already dead. So it’s a premise that promises nostalgia and regret and heartache, but I never really felt any of it.

My main issue with this book was Maurice’s first-person narration – I just wasn’t convinced by his voice. Forgive me, but you know how sometimes you read a female character and think ‘yep, a man wrote this book’ – I felt the opposite here. (Which is more of a gut feeling and probably a baseless one that’s impossible to quantify, so I’m just going to move on.) It’s established early on in this book that Maurice has dyslexia which led him to quit schooling at a very early age and develop a lifelong antipathy for literature; instead he fills his days with farming and various other business ventures. So while Maurice is clearly an intelligent man, and I have no qualms with that intelligence being on display, I’m not sure why Anne Griffin wanted us to believe he was a poetic one? Lines like this:

But her story is like the wind under the front door, whistling its way through the crevices, getting through the cracks in my skin.

and this:

There was a love but of the Irish kind, reserved and embarrassed by its own humanity.

pulled me out of the story again and again, because why would this 84 year old farmer use that simile, why would he have that sophisticated emotional vocabulary? I guess this goes hand in hand, but what also grated on me was the fact that we were essentially spoon-fed the ways in which the love and loss of these five characters shaped Maurice. Take this passage from the first chapter, where Maurice describes the death of his older brother Tony:

It’s so hard to lose your best friend at any time, but to do so at such a young age was pure cruel. At sixteen I was heading into my life. Having travelled those precious years with Tony by my side, I now had to venture forth into the most significant of them alone. Without his guidance, his cajoling, his slagging. It didn’t feel possible.

It’s too articulate, it’s too on the nose. Funny that this is called ‘When All Is Said,’ because that was exactly my problem: nothing is left unsaid. There is no room for the reader to think or feel anything organically, because we are told exactly how we should think and feel about Maurice’s story. This was missing tension, nuance, thematic complexity. I’ll concede that Maurice is a well-constructed character, and that Anne Griffin makes a real effort to weave together moments of joy with moments of sorrow to paint a three-dimensional picture of this character’s life, I just felt utterly empty while reading this.

Thanks to Netgalley and Thomas Dunne Books for the advanced copy provided in exchange for an honest review. Quotes are from an ARC and are subject to change upon publication.

You can pick up a copy of When All Is Said here on Book Depository.

book review: Daisy Jones & The Six by Taylor Jenkins Reid

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DAISY JONES & THE SIX by Taylor Jenkins Reid
★★★★☆
Ballantine Books, March 5, 2019

 

For better or worse Daisy Jones & The Six is a big departure from Taylor Jenkins Reid’s 2017 bestseller The Seven Husbands of Evelyn Hugo, and though I’m sure this one will do equally well commercially, I’m not convinced that it will win the hearts of quite as many readers. The format takes some getting used to – it’s a series of interviews woven together from members of a Fleetwood Mac-inspired fictional band, and as such the entire novel is essentially told in dialogue. I’m not sure every reader will be able to get over that hurdle and settle into the novel’s rhythm, but I ended up really enjoying this.

I do have a few qualms, so let’s get those out of the way. While I thought the interview format was ultimately the right choice for this story, it led to a few awkward passages, as the only descriptions of setting we got were from the characters themselves, and there were some moments that felt wildly inauthentic to me – someone remembering exactly what a character was wearing 30 years ago, or describing a perfectly ordinary occurrence with a kind of poetic language that didn’t ring true for the circumstances in which the interview was being conducted. I know that Taylor Jenkins Reid probably had to take some poetic license here lest her dialogue come across as flat and stilted, but it didn’t always work for me.

I also wasn’t terribly impressed with the construction of the supporting characters; all of the male characters were essentially interchangeable, and I found myself frustrated with Camila’s portrayal as this utter paragon of goodness (I’m glad Taylor Jenkins Reid didn’t want to pigeonhole her into the ‘jealous wife’ role, but I think she overcompensated too much in the other direction – she was just unrealistically stolid).

Sorry, that was a lot of negativity for a book I ultimately enjoyed. Let’s get to the good stuff. This is a glorious portrayal of the 70s rock scene in LA; not to fall back on a cliche and say that this book is all about sex, drugs, and rock and roll, but it kind of is, in a way that felt both nuanced and convincing. No one does atmosphere quite like Taylor Jenkins Reid – in both of her novels that I’ve read I’ve just been so immersed into a period of twentieth century history that I didn’t think I cared all that much about, only to be riveted by her ability to evoke time and place, and use the setting to explore such brilliant character dynamics.

Which brings us to the other wonderful thing about this book. The chemistry between the band’s two leads, Daisy and Billy, leaps off the page – if you aren’t forcibly drawn into their thorny dynamic I don’t even know what to tell you. And one last note: Karen! I cannot even explain how delighted I was to see a female character who knows she does not want children and knows her own mind enough that she’s never questioned it. I feel like narratives about women not wanting children are often fraught with self-doubt, and it’s not that I think these narratives are unrealistic, but they don’t speak for every woman who decides to remain childless, and I just have never been happier with a portrayal of this than in this book.

So all in all, a mixed bag, but the good really did outweigh the bad for me, and I ultimately thought this was fun and quietly tragic all at once.

Thank you to Netgalley and Ballantine for the advanced copy provided in exchange for an honest review.

Pick up a copy of Daisy Jones & The Six here on Book Depository.