ASSASSIN’S APPRENTICE by Robin Hobb
Farseer Trilogy #1
Harper Voyager 2014
originally published in 1995
Something that I’ve often heard said about Robin Hobb is that her Farseer trilogy is one of her weaker series, but that it’s worth persevering in order to get to the good stuff. So with that in mind, Assassin’s Apprentice was pretty much what I thought it was going to be: at times maddeningly slow and expository, but a promising introduction to something that I believe has the potential to develop into a much stronger story.
Assassin’s Apprentice introduces us to a very generic medieval fantasy world, where we follow Fitz, the bastard son of a prince who retires in ignominy once it comes to light that he fathered Fitz out of wedlock. Though Fitz is raised at Buckkeep, the royal palace, he’s reviled by most of the nobility from an early age, and he takes solace with his connection to animals, until one day he’s approached by the King’s royal assassin, who tells Fitz that he’s to train him as an apprentice.
So let’s start with the one major downside: on a scale between fast paced and slow burn, this book scores off the charts on the slow side. Fitz is a relentlessly thorough narrator, who sees fit to inform us of every thought that enters his head between the ages of 6 and 14, and while I liked Fitz as a character and found him sympathetic, I wouldn’t have minded a highlight reel of the first half of this book. I’m a little concerned about the fact that this book is half the length of the next two in this trilogy, as the consensus seems to be that it’s only worth pushing through this series in order to get to the next one. I’m willing to persevere, but as it took me nearly three weeks to finish this book I’m a little apprehensive.
But let’s move onto the things I did like, the reasons why I am interested in continuing with these books: Robin Hobb’s writing is just lovely. Sometimes it’s detailed to a fault, but more often than not the detail does do wonders in bringing the setting to life. The world-building may not have been terribly thorough (which I actually don’t mind, as world-building is one of the elements of fantasy that I’m least interested in), but the atmosphere of this book is immersive from start to finish. But what I liked even more was the character work, which was remarkably solid all around. Fitz was a compelling protagonist, and the background characters were all intriguing and well-crafted. Enough of their motivations remained hidden from the reader that this aspect dovetailed fantastically with the book’s central theme of loyalty – Fitz’s loyalties are laid bare for the reader from the beginning, but the question of which characters are loyal to Fitz in return remains nebulous throughout. This culminated in an uncharacteristically pacey last couple of chapters, which gave us a simply brilliant conclusion to the groundwork that Hobb had spent a few hundred pages laying.
So overall, I’m pleased, I’m intrigued, I’m a little nervous about this book’s slow pace continuing on in a 800-page sequel, but check back with me in a year and I think I’ll have found a new favorite fantasy author in Robin Hobb.
You can pick up a copy of Assassin’s Apprentice here on Book Depository.